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Extras:
Deleted/Extended scenes, Making of Garden State, Outtakes/Bloopers, Soundtrack promo, Two audio commentaries
Director:
Zach Braff
(Andrew Henry's Meadow, Garden State, TV: Scrubs)
Producer:
Pamela Abdy, Gary Gilbert, Dan Halsted & Richard Klubeck
Screenplay:
Zach Braff
Music:
Chad Fisher
Cast:
Andrew "Large" Largeman: Zach Braff
Sam: Natalie Portman
Mark: Peter Sarsgaard
Dave: Alex Burns
Kenny: Michael Weston
Jesse: Armando Riesco
Ian Holm: Gideon Largeman
Tim: Jim Parsons
Carol: Jean Smart
Dana: Amy Ferguson
Dr Cohen: Ron Liebman
Karl Benson: Geoffrey Arend
Diego: Method Man
Albert: Denis O'Hare
Faye: Debbon Ayre
Garden State
is how New Jersey is referred to, the hometown of this film's writer/director Zach Braff,
best known for his portrayal as J.D. in Scrubs, and also the lead role he takes as
Andrew "Large" Largeman, an actor trying to make it big in Los Angeles, mainly at present by taking
parts in mediocre dramas, also trying - and succeeding - in keeping away from his family as he hasn't
been home in nine years, until an important situation presents itself and he must return.
Andrew goes back for his mother's funeral, after no communication with his father in some time.
He purposely forgets his medication which he's been taking for so long in his life that he's not
even sure if it's necessary, and thus begins a road trip through a sleepy suburban town in New Jersey.
He meets a girl called Sam (Natalie Portman, right, with Braff) purely by fate, he avoids talking to his father,
played by Ian Holm, as much as he possibly can, and he hooks up with old friends such as gravediggers
Mark (Peter Sarsgaard) and Dave (Alex Burns). I have to add, too, that Jean Smart,
who plays Mark's mum Carol, is rather a MILF ;)
As the movie progresses, we get to find out how Andrew's life turned out the way it did, through the
stories told along the way. There are no flashblack clips, just brilliant writing. It's a low-budget,
very accessible film and you really want to track the progress of the developing friendship between
Andrew and Sam.
The soundtrack helps define the movie as one that defines a generation. The music includes I Just Don't
Think I'll Ever Get Over You by Men in Work lead singer Colin Hay, who also performed an acoustic version
of Overkill for an episode of the consistently excellent sitcom Scrubs, as well as the class
slow track, Waiting For My Real Life To Begin. Another connection with the sitcom is that the girl
who plays Dana (Amy Ferguson) also had a cameo in a bar in the season 4 episode, "My Last Chance".
Garden State is one of those rare films you can feel yourself really enjoying while you watch it.
It contains many clever, engaging and insightful moments that make you remember events
in your own life, just as it does in similar moments in Scrubs. You won't have gone through the
same things Andrew has, but everyone returns to their roots at some point and looks at the changes that
have occurred. I could list other things that happen in the film that give you the same feeling, but to
do so would give spoilers about the content so I won't do that.
Suffice to say, this is the kind of film that makes you reminisce and bring back feelings of different
kinds, just as The Breakfast Club did 20 years ago. Even though the topic was entirely something else,
both are about working out and taking the right path in life - something we should all attain to do.
On a final note, any scene where Jesse features and talks feels like a scene from a
Grand Theft Auto
game, the way he moves from side to side, sometimes waving his hands about. This seemed very eerie
at first until I checked the
Internet Movie Database and
found he plays Officer Hernandez in the latest title, set in the fictional town of San Andreas.
The picture is presented in an anamorphic 2.35:1 widescreen ratio and there's
no complaints with that. In fact, the expert 2.35:1 framing from Braff's feature-length directorial
debut is a huge visual treat with little tricks like the water taps in the airport toilet,
all the classyness of which will be lost when cropped to 16:9 on TV. However, as it was filmed in Super 35
the matte could be opened up so it doesn't look so bad, but it still wouldn't be as tight the framing
as the cinematic ratio. The Dolby Digital 5.1 sound is superb for music and atmosphere throughout,
the tracks selected hooking you in before you realise they have and then they carry you along. Magnificent.
The extras begin with 16 (count 'em!) Deleted and Extended Scenes (32 mins, 2.35:1 letterbox),
all with commentary from the crew members listed in the second audio stream mentioned below.
Many of the early ones are brief and could easily be inserted back into the main feature
without extending it too long, but a later one such as with his father does go on too long to
fit comfortably back in as we already get the fact they don't get on like they should.
The Making of Garden State (28 mins) is an engaging featurette and one of the few I've watched
all the way through, but why isn't it chaptered in the slightest? Still, on the positive side we learn
that this was clearly a very personal film for Braff and I only hope he can follow it up with something
equally perfect. The Outtakes/Bloopers (3½ mins) are worth a quick look and then comes
a 30-second Soundtrack Promo Spot for the rich collection of music blended together in this movie.
Strangely, the subtitles for the extras are available in any other language except English. Why?
Finally, there are two audio commentaries. One from Zach Braff and Natalie Portman,
the other with Braff, Director of Photography Lawrence Sher, Editor Myron Kerstein
and Production Designer Judy Becker.
On top of that, the dialogue is in English, French, Spanish, Portuguese and an English audio descriptive
track option, while the subtitles are in English (with a hearing-impaired option), French, Spanish, Swedish,
Norwegian, Danish, Finnish, Icelandic, Portuguese and Dutch. There are 24 chapters which is a decent
amount for this movie, and the menus have some animation (film clips) and music from the film, but it's
very repetitive.
Finally a note about the DVD cover. Atop this review is the UK release, which does make
sense once you've seen it, but the Region 1 DVD (right) has a far better one and is much more likely to
grab you than the one we got which is really rather crap at getting anyone's attention even if it is
taken from a pivotal scene in the film.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.Accept
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Garden State
is how New Jersey is referred to, the hometown of this film's writer/director Zach Braff,
best known for his portrayal as J.D. in Scrubs, and also the lead role he takes as
Andrew "Large" Largeman, an actor trying to make it big in Los Angeles, mainly at present by taking
parts in mediocre dramas, also trying - and succeeding - in keeping away from his family as he hasn't
been home in nine years, until an important situation presents itself and he must return.
The picture is presented in an anamorphic 2.35:1 widescreen ratio and there's
no complaints with that. In fact, the expert 2.35:1 framing from Braff's feature-length directorial
debut is a huge visual treat with little tricks like the water taps in the airport toilet,
all the classyness of which will be lost when cropped to 16:9 on TV. However, as it was filmed in Super 35
the matte could be opened up so it doesn't look so bad, but it still wouldn't be as tight the framing
as the cinematic ratio. The Dolby Digital 5.1 sound is superb for music and atmosphere throughout,
the tracks selected hooking you in before you realise they have and then they carry you along. Magnificent.
