Sir Richard Bishop: Polytheistic Fragments

Elly Roberts reviews

Sir Richard Bishop: Polytheistic Fragments
Distributed by
Drag CityCover

  • September 2007
  • Rating: 10/10+

Former Sun City Girls guitarist gives a materclass on sixth studio album, and first on Drag City.

As instrumental albums go, this is one of the best you’ll encounter. They canoften be labouriuos affairs – no such problem here. Best known as an experimentalguitarist, drawing on Indian, north African and gypsy templates, Bishop has ahabit of using unusual titles. Previously there have been Salvador Kali, Improvika,Fingering The Devil, Elektronica Demonika and now Polytheistic Fragments.

Bishop reminds me very much of dazzling duo Rodrigo y Gabriella, as he burns upthe fret board on both acoustic and electric guitars. It’s not all blood and thunderthough, because he has an imaculate touch, from the Carlos Santana school. Evenon experimental moments, which, to his credit, he hasn’t gone OTT, remaining focussedon keeping the listener’s attention.

It’s a subtle balance that works to perfection. With a flick of the wrist,rolling flamenco strums open Cross My Palm With Silver, until latermesmerising picks texture the Latino colours. There are moments when he remindsme of Led Zeppelin’s Jimmy Page on Free Masonic Guitar, though there’sa nod to his hero Django Reinhardt in parts.


Acoustic outing Quiescent Return is beguilingly simplistic, with Rub Al Khali– an ode to the oud, a north African lute, Bishop captures the spirit of theregion with empathy and class, wheras Saraswati delves into the Hindustanisimple serenity of measured piano and rolling drone-like background instrumentation.It’s his lightness of touch that creates the magic.

Again on Hecate’s Dream, a dream-like piece dedicated to a Greek goddess,he creates a mystical mood via improvised and sparce wiry guitarwork.

In sharp contrast, Americana styled Canned Goods And Firearms has a morecommercial edge, full-on twanging guitar a la ’60s Shadows, whilst TennesseePorch swing possesses a genteel rootsy countrified twist.

Catchiest track of the bunch is Elyium Number Five. Ecstacies In The Open Airis an exquisite, light and airy piece to close a really stunning album.

A ‘listening’ album in the truest sense of the word.

Weblink:myspace.com/sirrichardbishop


The full list of tracks included are :

1. Cross My Palm With Silver
2. Hecates Dream
3. Elyium Number Five
4. Rub Al Khali
5. Free Masonic Guitar
6. Cemetery Games
7. Quiescent Return
8. Saraswati
9. Tennessee Porch Swing
10. Canned Goods And Firearms
11. Ecstasies In The Open Air

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