George Michael: Twenty Five – Deluxe Edition

Elly Roberts reviews

George Michaelat ENA, ManchesterSaturday, 18th October, 2006


Twenty Five: Deluxe Edition CD:
Twenty Five DVD:

  • Rating: 10/10+
  • “If you’re gonna do it.. Do it right”

    Life’s a game of numbers for gorgeous George. After a 15 year sabbaticalhe’s still keeping us guessing, and waiting. Naughty, naughty, he’s late- twenty minutes in fact. The ‘big tease’ knows what he’s doing – so do we.

    He‘s also got a new album to plug – Twenty Five (click on theAmazon link above for a full track listing of the 3-disc Deluxe Edition).There’s the long-suffering fans to please as well. The numbers eventuallywhittle down – now there’s only one man in town – George Michael, and he’sall ours for an expected 2 ½hours. The ENA is packed to the rafters,obviously. We’re all excited. Who wouldn’t be?

    A little group of us is guessing what song will open the show. Fastlove?Wake Me Up Before You Go-Go?. Fastlove is favourite, but it’s not the one.The never ending classical music is providing the perfect dramaticcountdown. Lights go down, and he’s still not there. He’s singing a balladoff-stage. The set doors slowly open – its torture. He’s on and we’re up.

    The place explodes to a standing ovation. I’ve never seen this kind of thingbefore, ever. The noise is seriously deafening. Michael-mania’s arrived –screams, flashbulbs engulf the arena. He’s finally with us in a smartshimmering black suit, black shirt and shoes complete with shades,slicked-backed hair, and yes, designer stubble, which he created. Nice andlean, he looks great.


    Down to business we get, “Hey Manchester, how are you? It’s Saturday night.Let’s go… 1, 2, 3”, and into Fastlove (we were nearlyright). In seconds a pair white of knickers hit the stage, but he’s unfazedand cruising the stage from side to side with a huge beam. He’s happy, andso are we. His brilliant 15-piece band is rocking each side ofscaffolding-like gantry. His voice is still sounding great, and he’s out toshow it off.

    The set is simple, but groundbreaking. The visual effects are revolutionarybut not OTT. This presentation is all about projection techniques. It’s notflashy – it’s cool. The constantly looping images cast hardly any shadows ashe wanders around– it’s remarkable. There’s no sign of nerves. A quickglance at the big screen close-up shows he’s sweating profusely.

    We get seated ballads from most of his albums – The First Time Ever I Saw YourFace, Father Figure, Praying For Time, You Have Been Loved mixed with moversStar People and a thumping Too Funky. Before his well-deserved 20 minutebreak, we get some political satire – Shoot The Dog brings an enormousinflated caricature of George Bush and British bulldog up to no good. Ithink we’re all shell-shocked as we try to take it all in.


    The projectedcountdown (more numbers) heralds his return – 10, 9, 8, 7, 6, 5, 4, 3, 2,1 we all scream. Next to me the Yorkshire lass struggles – she’s lost her voicealready – but still goes for it. He’s back for more of the same.

    “You know the drill… don’t be shy,” as Spin The Wheel brings asea of swaying arms, conducted by Georgie boy himself. Right now we’re puttyin his hands. Up and down we go again to An Easier Affair, Jesus To A Child,Amazing, I’m Your Man and Outside. “Thank you Manchester andgoodnight”. We know he ain’t finished just yet.

    After “We want George, we want George, we want George” he’s back forCareless Whisper, letting us do most of the singing. Cheers ring out as acouple snog on the large screen – they don’t even know they’re been watchedby 15,000 people. He’s gone again, but not for long.

    Respectfully he says, “Thanks for buying the new album. It looks likenumber one tomorrow. Give yourself a big clap”. So we do.

    A rousing Freedom is helped along by us all,and I mean all. I look around and see us all at it. It’s a sight to behold.As painful as it is, he has to go-go.He kisses the crowd goodbye and bangshis heart clench fisted and wanders into the night. And what a night.

    GM fan Samantha Kirkham from York enthused, “He makes people dance who can’tdance, and people who can’t normally show emotion – show it.”

    Profound, but true.

    Weblink:georgemichael.com


    Review (c) Elly Roberts, 2006.
    Pictures (c) Shirlaine Forrest, 2006.

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