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Elly Roberts reviews

John Hiatt: Full House (Rock Show)

Distributed by
NDR-Studio Hamburg (through Wienerworld)


Even though US singer-songwriter John Hiatt, has never managed to make a big commercial splash in the UK, he's always been regarded as an iconic figure. Best he could do here was three top 100 albums - Stolen Moments (1990), Perfectly Good Guitar (1993) and Walk On (1995) out of 34 official releases up to 2005's Live From Austin TX.

This DVD precedes those releases. Filmed around the time of Bring The Family in 1987, Hiatt shows why the coveted writer has been admired and covered by the Neville Brothers, Bonnie Raitt, Iggy Pop, Three Dog Night, Dave Edmunds, The Searchers amongst others. Ironically, his sales have never matched his reputation, though this excellent concert might solve the problem.


A big fan of the Rolling Stones and Bob Dylan, he struggled to find his own niche for nearly a decade. Having started his solo career in 1974, the Indianapolis troubadour gravitated towards a more direct and stripped down presentation than previous albums. It synthesised the blues, folk and Rock'n'Roll with great effect, found on this disc.

Bring The Family, his third release, became a turning point in his career as it peaked at 107 on the Billboard Hot 200 charts, his first entry. It included legends Ry Cooder (g), Nick Lowe (b) and Jim Keltner (d) it was quickly knocked together over a few of days, still bringing his best reviews up to then. Capitalising on its success, he toured America and Europe.


For this show in Hamburg he opted for his regular touring band the Goners - Sonny Landreth (g) Dave Ranson (b) and Ken Blevins (d). Keen to plug the new album, Hiatt and co pull out all the stops across a well balanced set of 14 songs. There's impressive bottleneck blues work by Landreth on up-tempo opener Memphis In The Meantime, the slow blues of Tip Of My Tongue, highlight of the show, and Thank You Girl dedicated to his wife.

Folk and country influences surface on Learning How To Love You, a tale of young love in turmoil, and Lipstick Sunset. Rockabilly pops up in the shape Tennessee Plates.

Closing a bumper set, Hiatt tackles the keys on tear-jerker Have Little Faith In Me. The German crowd loved it.

A polished performance, from a seriously underrated songwriter.

Review & concert pics copyright © Elly Roberts, 2004-2010.

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