Benjy Ferree: Leaving The Nest

Elly Roberts reviews

Benjy Ferree: Leaving The Nest
Distributed by
DominoCover

  • January 2007
  • Rating: 8/10

Thirty-two year old Benjy Ferree is a one-off.He’s different, very different, to his peers, which is highly commendable.

This odd mish-mash of genuine Americana is a real box of musical tricks, butit not always ‘easy’ on first listening. Mostly off-kilter in approach, itdraws you in for further analysis. Its main feature is Ferree’s totallyfreewheeling approach, synonymous with early Bob Dylan – it’s bold to a point.

It also possesses a unique warm charm, a rarity in a music world obsessedwith perfection, which Leaving The Nest isn’t. Nevertheless, as a debut, itbodes well for the future as his songwriting gets into a stride.

Sun drenched In The Countryside starts with a grizzly guitar, similarto Steely Dan classic, Reeling In The Years, then flows into a jaunty andcatchy sing-along – a little beauty. Dogkillers is totally unexpected,as it displays a lot of Led Zeppelin at their roughest rock edges, andthumping sequences of riffs and pounding drums (Meg White’s immatureclattering comes to mind) by Laura Jean Harris – Zep’s Bonzo would be proudof this, even if it’s quite basic.

Then comes, what can only be described as outrageously bold. A countryplodder with swirling violin courtesy Burleigh Seaver. More violin featuresthe magnificent intro for The Desert, with Ferree’s vocals hitting ahighpoint as it wanders along neatly to acoustic guitar and more sublimesticks, this time by Dennis Kane.


Melancholic Private Honeymoon, begins with a brilliant cappella vocal,which gets further violin treatment by Winston Yu: an absolute delight, andby far the most inventive, and beautiful song of the lot. On its back comes abelting country chugger – Leaving The Nest which seems to containeverything but the kitchen sink, a real fun blast with plenty of foot-tappingopportunities, quickly segued by stomping Hollywood Sign as thecollective runs into party mode, in a country way of course.

Rapidly dropping the furious pace, a tad, They Were Here is a simplecountry and western ditty, yet another CD highlight. Just to prove he’smega-talented, he drops-in a wobbly blues harp (harmonica) to lead us into thequaintly playful Why Bother. As if this wasn’t enough, Byrds-likejangly acoustic guitar and swooning cellos swirl around Ferree’s stridingvocals throughout In The Woods.

Just like Damien Rice’s ‘O’, this is a real grower. Get into thesaddle and enjoy the ride.

Weblinks:benjyferree.com /dominorecordco.com


The full list of tracks included are :

1. In The Countryside
2. Dog Killers
3. A Little At A Time
4. The Desert
5. Private Honeymoon
6. Leaving The Nest (It’s A Long Way Down)
7. Hollywood Sign
8. They Were Here
9. Why Bother
10. In The Woods

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