Songdog: A Wretched Sinner’s Song

Elly Roberts reviews

Songdog: A Wretched Sinner’s Song
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One Little IndianCover

  • January 2008
  • Rating: 10/10+

Reflective + confessional + emotive + imaginative + poetic = masterpiece.

It may sound profound, but this is THE most beautiful album I’ve ever heard,despite its sad overtones.

Let me introduce you to Songdog‘s A Wretched Sinner’s Song. Songdogis the brainchild of Welshman Lyndon Morgans, long-time relocated to London. Thisis the band’s fourth album following 2005’s critically-acclaimed The TimeOf Summer Lightning, and from all accounts, their best to date. To my ears,musically, it rings of Mike Scott’s Waterboys late period.

The quality of songs is quite breathtaking, provided by Morgans (vocals/acoustic guitar),Welshman Karl Woodward (electric guitar/keys/harmonica/banjo/mandolin) andDundee’s Dave Paterson (accordion/drums/tables/keys) and others. It’s not a popalbum per se, but one that could be considered a musos album. I suggest doing afew rotations initially, to enjoy the mournfully-tinged tunes. Then get stuckinto the poetry in motion. You’ll be back for more, guaranteed.


For the record, Morgans’ biog cites a love of literature: a playwright andSamuel Beckett obsessive, which probably accounts for this wordy collection spanning27 tracks under Act 1: Love Lust and Act 2: Love Lost. Because of the two acts,it does smack of musical theatre or ‘concept album’.

In a nutshell, it’s about drifters, drunks, psychotics, sad loners and dreamers.In an exclusive interview, Morgans revealed, “I didn’t start with the ideaof any concept in mind, I just wrote the songs over a two-year period and theyjust happened to be about the things I always write about – love, lust, betrayal,disappointment, nostalgia, failure and so on, and only after they were recordedand mixed did the idea of Love Lust / Love Lost occur.”

According to Morgans, the characters are composites of people he knows, hasknown, heard or read about, a bit of himself and his imagination. The ‘devil’ popsup quite a bit too, as you’ll find out.

It begins with gripping emotional Ruben’s Tattoo, the story of a mermaid tattoolonging to go to sea. It sucks you in immediately, set to a gypsy-like musicaltemplate. Morgans’ emotional singing is instantly engaging, making you want toseek out more, which is Crown Of Thorns, a tune he’d stored since 10 yearsago. This nifty melancholic ballad is essentially about a guy losing his babeto a rock singer at a gig. He tries to hold her back but, “But she heads forthe back, up by the sound desk somewhere.”

She’s going backstage to meet the band. Jewel in a very large crown is Owls.Satan falls in love with a human, which set in the valleys of South Wales. Thetale unfolds to some Greek-like music, and it’s breathtaking. Jaunty A PrayerTo Idols, featuring accordion and mandolin, has flashes of French influencestexturising the story of lost love, while Morgans years for his youth.

References include the CD packshot picture of a local pond in his native Blackwoodwhere his girlfriend “swam like a mermaid right round Keeper’s Pond.”


Opening Love Lost, they give a big nod to Americana. The gorgeousPilgrim Hill bursts to a cool shuffle with reflective lyrics harking backto Morgans’ favourite things: second-hand book stores, NME, glam rock, dusk,and snow. She Lets Me In By The Back Door is Morgans’ favourite here.It’s a self-mocking song with sweeping strings, acoustic guitar and occasionalpiano – “She saw the picture in my passport, we both laughed at my moustache.”

After Owls, Just Another Night In Limbo comes as the second best song here.Morgans digs deep, touching on a Dylan/Scott vocal. It plods quietly, broken bybursts of harmonica, stick shuffles and Nick Kacal’s understated double bass.After several attempts over the years, Morgans finally nails one of his earliestsongs – Montparnasse, an area on the left-bank of the Seine in Paris,where he’s longed to live.

A haunting piano arrangement by Sean Hargreaves adds to the soured visit, afterwhich the lovers split on arriving home.

All in all, A Wretched Sinner’s Song is a pretty loaded album, with adeep sense of loss. Amongst it, there’s also a sense of playfulness, presumably aidedby that ‘little devil’ on his shoulder.

From start to finish it took two and a half years. It’s been worth the wait.

File under: Timeless classic.

A full track listing is available on Amazon via the link above.

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