M.J. Hibbett & The Validators

Dom Robinson reviews

M.J. Hibbett & The Validators
Say It With Words
Distributed by
M.J. Hibbett.com

    Cover

  • Year: 2000
  • Rating: 8/10
  • Price: £10.00 from their website

Track listing:

    1. The Black Hair and Glasses Brigade
    2. Payday is the Best Day
    3. Stop, Look and Listen
    4. Where is My Torch?
    5. Born with the Century
    6. Hey Hey 16k
    7. Say It With Words
    8. If You’re Too Turned On
    9. Where Do All The Women Go?
    10. The Saturday Lunchtime Wrestlers
    11. Carol and the Mandolin
    12. Would If I Could
    13. The Pebble and the Boulder
    14. Wings of Fire


Even by just listening to a selection of songs by M.J. Hibbett & The Validators, you realise we’re in the realm of songs that speak to everyman – to students, to eternal students, to the nostalgic and to those who’ve experience unrequited love, or perhaps that kind that would be returned were it not for fate getting in the damn way. Make sure you’re reading the lyrics supplied on the sleeve while listening to this album to get the full benefit of it too.

The first track I ever heard, Hey Hey 16K, had it all for any child of the 80s who was into home computing, trying to get games to work on them when loading them in (I was in awe of the line, “We hope not to witness the terror… of ‘R:Tape Loading Error'”) , as well as realising that many of the games available today keep sacrificing playability for “looking nice”. It’s proof indeed that a lot more thought had to be made with the tiny amount of space available to programmers, given that there’s more memory used up in a Windows desktop icon than there was in the entire arcade game of Defender. After reading this review, see the video for this track here and if it doesn’t bring memories flooding back, you’re not human. I’m 100% convinced that if this was ever released as a single, it’d make No.1 in an instant, given the right backing.

Back to the start of the album, and The Black Hair and Glasses Brigade champions the geeks and asks the world not to look down on 80s icons like Adrian Mole and Roland Browning, while Payday is the Best Day of All points out what we’d all like to do on one certain day each month, rather than put it away for the future and how “you can’t take a TESSA to the grave”, as well as an opinion about the Co-Op Bank I’d better not reprint here, although I’d apply the same to the heads of certain TV stations…


Born With the Century is a fantastic way of summarising 100 years of a man’s life and the poignant events into 4½ minutes, running in parallel with the years of the 20th Century, and how the end of life cannot hope to mirror the positive aspects that have happened earlier, and Say It With Words talks to everyone who’s ever wanted to get across their feelings of unrequited love face-to-face but often have to settle for romantic gestures that won’t have the same impact. And, on a similar note, Where Do All The Women Go To? certainly poses the right question for any bloke that’s single. My friends and I have often wondered where all the fit ones go to outside of the summer months, that’s for sure.

Carol and the Mandolin takes a disturbing turn from anything else on this album as it deals with the subject of domestic violence, while Would If I Could briefly touches on the feelings experienced when you’re in a long-term relationship that’s going nowhere and how being stuck in a rut just isn’t the answer. When we get to the final track, you’ll find that Wings of Fire could serve so well as a short, but heartfelt funeral anthem.

Don’t go thinking that’s all there is, as the final track technically lasts 10 minutes, although after Wings of Fire, there’s a brief reprise of Payday is the Best Day, and then the last two minutes bring something far more raucous, the forthright and uncompromising, but amusing, Bands From London Are Shit.

Check out the website for more info about M.J. Hibbett & The Validators as well as MP3 tracks for a couple of other class tracks, The Perfect Love Song and We’ll See What We Can Do.

Review copyright © Dom Robinson, 2004.

Visit M.J. Hibbett.com

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