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Dom Robinson reviews

Boiler Room

Anyone who says that money is
the root of all evil, doesn't have it.

Distributed by

Entertainment in Video



Who wants to be a millionaire?

Everyone who comes to work in the Boiler Room at J.T. Marlin, that's who, the firm where stockbrokers can become a millionaire within three years and then the sky's the limit as far as your potential earnings can go.

That's the attraction that gets the attention of entrepreneur Seth Davis (Giovanni Ribisi, most recently seen as Nicolas Cage's brother in Gone in 60 Seconds), who has spent some time running a casino from his apartment and apparently getting away with this illegal gambling venture, but he has to pay the rent somehow. His father, Judge Marty Davis (Ron Rifkin), is always at odds with him and in his eyes Seth is not going to win the prize for 'Son of the year'.

So, enter the world of the job that wins for everyone. J.T. Marlin is the stockbroking firm where a fortune can be made for the workers, the clients and even the sexy secretary Abby (Nia Long) is on $80,000 per year. The staff include the good - Chris (Pitch Black's Vin Diesel), the bad - Greg (Nicky Katt) and the ugly - Richie (Scott Caan).

Before long though, Seth finds out that all is not fair on the trading floor and one, two or more of the employees are up to some dodgy dealings to rival those of "Nasty Nick", the truth of which could bring the company crashing down to its knees if the FBI were to get word of this.

I'll say no more on that other than Don't watch the trailer before you see the film, as it will spoil everything for you.

I have to take issue with the comment from Rolling Stone on the cover that states "Ben Affleck has never been better". He does put on a good show, but is (a) just repeating the spiel heard by director Ben Younger when he spent a year in a "Boiler Room", (b) only appears for about five minutes in the two-hour film as he recruits and instructs the new trainees and (c) Giovanni Ribisi is the real find here.


Presented in the original 1.85:1 ratio and anamorphic, the picture looks superb with artifacts undetectable and the blue tinge adapted into the 'boiler room' atmosphere being rendered perfectly. The average bitrate is a fairly steady 6.37Mb/s for most of the film.

A well-constructed score aids in the atmosphere as the heat piles on for those who are trying to do the right thing. The back cover and the Internet Movie Database both state a sound format of Dolby Digital 5,1, but the LFE channel on my amplifier (Sony STR-DB 930) isn't highlighted, so it must be DD5.0.


Extras :

We begin with the Theatrical Trailer which you shouldn't watch before seeing the film and Cast and Crew info which provides filmographies for most main cast members and the director.

The Deleted Scenes is where the 18-cert comes in, I presume since the BBFC haven't yet mentioned these on their website at the time of writing, for the one labelled Hotel Room Party, as the rest of the film has been rated a 15-certificate.

Finally, we have a feature-length Audio Commentary from co-producer Suzanne Todd, writer/director Ben Younger, female composer The Angel and actor Giovanni Ribisi.

What we are missing though is the feature-length isolated score from The Angel.

There's a good number of chapters with 32 here, although, again, some stupidhead has attempted to mark the time points at which each chapter break occurs. Why??!

Subtitles are available in English and the menus contain music with some subtle animation.


Overall, this is an almost-first-rate DVD from Entertainment in Video, which isn't something that can often be said. The film lived up to all my expectations and never lets up on the pace.

The only thing we lose out on is the isolated score, but if you're not fussed about that then this is an absolute must-buy.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2000.

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