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Dom Robinson reviews

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Prepare For Impact


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Distributed by
Pioneer LDCE


Con Air is, in essence, the tale of Cameron Poe, an army serviceman who kills a man in self-defence outside the bar where his wife Tricia works. Sent to prison for seven years, he's now on his way home to see his daughter for the first time on her seventh birthday. All he has to do is survive the trip home aboard the flight containing the worst hardened criminals in the world... and that's before Garland Greene gets on the flight - the man who confesses to killing a little girl and wearing her head as he drove across three states.

As the plane is skyjacked in mid-air, the operation being led by Cyrus "The Virus" Grissom, Cameron fights to keep these savage convicts from massacring everyone on board as they career towards the famed Las Vegas Strip. His only ally is Government federal agent, Vince Larkin, on the ground who battles to keep his overzealous superiors from blowing the plane into oblivion when they think there's no other option.


For me, like 1996's The Rock and 1998's Armageddon, this is the action film of the year, the central reason I attribute this to being the producer Jerry Bruckheimer, as well as his late co-producer partner Don Simpson who worked on all of their films together up until The Rock, after which he died of a drugs overdose.

If there's one thing Bruckheimer specialises in, it's explosions - lots of them, but only if they're big and loud. This film has them in spades, not to mention more action in one film than most entire film trilogies. It also has plenty of superb one-liners. Since The Rock had a hand from Auf Wiedersehen Pet writers, Dick Clement and Ian La Frenais, I wouldn't be surprised if they were involved in this one. I can't wait for Armageddon to touch down on laserdisc...

Heading the cast are three fine leads. Nicolas Cage and John Cusack have already proved their worth with comedies. Cage made his name in the action field with The Rock and now there is plenty of scope for Cusack too. John Malkovich, meanwhile, mainly appears in dramas, but served well as the bad guy in 1993's In The Line Of Fire.

Another real credit to the film comes in one of the finds-of-the-decade, Steve Buscemi. In this and Armageddon, not only does he have a memorable role, but he gets all the best sarcastic-comedy lines. The rest of the prisoners also have their part of play, each with a well-defined persona.

The only real flies-in-the-soup are Colm Meaney and Rachel Ticotin. I still haven't worked out why Hollywood give Meaney the time of day. He does well in home-grown drama, but just seems out of place in Star Trek: Deep Space Nine and here with a dodgy American accent. Ticotin on the other hand gets some of the worst dialogue around. When she first sees Cage on the prison bus he shows her a picture of his daughter. Her twee line: "What you've got here is a walking, talking reason to reabilitate". When Cage tells Baby-O it won't be long before she's dead (not long after her encounter with 'Johnny-23'), she tells him to "think of your little girl".

One line of dialogue has been cut between the cinema version and this. It also didn't appear on the NTSC laserdisc or the UK PAL video either. After the plane touches down on the Vegas strip, Sally-Can't-Dance looks bemused at all the cops and mouths "Oh, my!". In the cinema he said, "Oh my, men in uniform!" I can't begin to think why this classic line was cut.

Finally, Monica Potter, who plays Cage's wife, is the main new face here. Her follow-up was the comedy Martha Meet Frank, Daniel and Lawrence.



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The best action film of the year needs an excellent picture quality to bring out the action, explosions and all the colours of the rainbow that shout out in the Las Vegas scene. The Rolling Stones said you can't always get what you want, but I'm pleased to report that here you get exactly what you want. The quality is perfect and the film is presented in its original widescreen ratio, essential for a Panavision action film and serves as a nice debut for director Simon West's first theatrical venture.

It's interesting to note that there's a scene here which I haven't seen with such clarity since the time I saw it in the cinema - the moment where one of the plane's engines loses a part near the end which spins out of control and flies back through the plane inbetween Cage and Malkovich. It always seemed a little fuzzy on video, but here's it's perfect.

The sound is also the best that Dolby Surround can provide - explosions, gunshots, bangs and crashes and more explosions. Add to this the musical score from Mark Mancina and top tunes including the orginal version of the ballad "How Can I Live" by Tricia Yearwood and Lynyrd Skynyrd's "Sweet Home Alabama" and you won't be disappointed.

If I had one complaint though, it's that there are only 19 chapters throughout the two hours of the film. There is, however, a chapter alone for the end credits. One point: There's a sticker on the back of the cover stating that "all chapter numbers printed on this LD jacket should be advanced by one" because the opening Touchstone Pictures logo has been alloted the first chapter to itself. Ransom and Scream also suffer this problem.

Also, why is there no trailer?


Overall, this isn't the sort of film which would clear the board at the Oscars, but is the perfect example of an action film which doesn't let up. Even if you have just a slight interest in this genre, this comes well recommended. If you're an action fanatic, buy this, buckle up and enjoy the ride!

FILM	 		: ***** (I'd award more if I could!)
PICTURE QUALITY		: *****
SOUND QUALITY		: *****
EXTRAS			: 0
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OVERALL			: ****

Review copyright © Dominic Robinson, 1998.

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