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During his 36-year recording history,
Welshman John Cale has never had an album enter the UK charts.
So, Cale can never be accused of selling his soul with blackAcetate.
The 63-year-old is not likely to change his tune, however unusual it might be.
It has however, made the BBC Radio 2 playlisting. Since his debut in 1969 with
(Columbia), Cale has forged a career of avante-garde
Rock’n’Roll from the days of forming The Velvet Underground in 1966 with Lou
Reed.
Originally a student of classical music, he was considered an extremist. His
profound repertoire is based upon a fascination with opposites, comprising
lyricism with noise, bluntness, subtlety, rapid change and sometimes hypnotic
repetition. BlackAcetate offers much of the same experimentation, adding
his strong baritone (here and there) with great effect.
Lauded as one of
Punk’s godfathers in the ‘70s, Cale has never ceased in being progressive,
though there’s a strong element of self-indulgence once again.
Outta The Bag is a flushing stroll of mid-paced peculiar
indieness as he stretches his voice to the extreme.
Track three, Brotherman, is an overly laboured quirky cacophony, though.
Satisfied is a little mellow stunner, and as close as commercial as
you get on the entire album, which could actually be considered a single, of
sorts. Full of delightfully genteel touches it resonates high above anything
else. In A Flood is a close second for accessibility, displaying a keen
ear for atmospherics and subtlety.
Jauntiness raises its head on the wiry and funky Hush (in the Prince
mode), again a possible single contender, as is raucous rip-roarer Perfect,
showing his Punky tendencies. For serenity top marks, the winner is the
ethereal Gravel Drive. More odd experimentation seeps through on
Sold Motel with wiry guitars and raging synths.
Acoustic driven Wasteland is a subtle combination of orchestration
meets delicate ballad. Going out on another mish-mash of musical ideas,
Mailman leaves you rather weary as it plods along aimlessly to its
terminal lowpoint.
It’s an interesting ride, but not one you’ll want to experience too often.
1. Outta The Bag
2. For A Ride
3. Brotherman
4. Satisfied
5. In A Flood
6. Hush
7. Gravel Drive
8. Perfect
9. Sold-Motel
10. Woman
11. Wasteland
12. Turn The Lights On
13. Mailman (The Lying Song)
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Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Review & concert pics copyright © Elly Roberts, 2004-2010.