Devendra Banhart: Smokey Rolls Down Thunder Canyon

Elly Roberts reviews

Devendra Banhart: Smokey Rolls Down Thunder Canyon
Distributed by
XL RecordingsCover

  • September 2007
  • Rating: 10/10+

To get the ambience for his latest weird and wonderful offering, handsome Devendra Banhart, co-producer Noah Georgeson and engineer Beauraymond Fletcher shacked up in a rustic hillside home in the longstanding bohemian enclave of Topanga north of Los Angeles.

The vista was that of the nearest canyon, hence the Smokey Rolls Down Thunder Canyon.

On this his fifth release, Banhart continues to lead the psych-folk brigade. Muchof his influenes come from time spent with his grandmother in Venezuela and gypsysin Europe, so there’s another eclectic mix, combined with his own beguiling creationswhich are mischevious, playful and outstanding.

When you look at the tracklisting, you can pretty much get the gist of things.Since the beginning, he’s been on the edge of mainstream, and certainly despitethe critical acclaim, similar to Rufus Wainwright until recently, Banhart maynever be anything other than a cult artist like Marc Bolan in early T.Rex.Bolan effectively ‘sold out’ to hit the big time, though I doubt if Banhart willdo that. On occassions there’s the Bolan vocal quiver, which immediately drawscomparisons with the Glam-Rock god.


There’s a lot of fantasy stuff going on too, which is absolutely delightful,polarised by more earthly emotions, for a change. There is a reason for that,in a bit.

Showing his bi-lingual skills, Latino flavoured Samba Vexillographicais a loaded jam targetted at the feet, with charango (south American mandolin)courtesy Black Crowes’ Chris Robinson, whereas Cristobal eases us in gently withsublime harp sways and guitar picks along with his haunting voice.

So Long Old Bean shows he still got originality in a sometimes dullmusical world. Smokey… also points to relationship break up with BiancaCasady of CocoRosie as referenced on I Remember, a subtle progression, anddare I say it, hints of maturity.

We don’t want or need too much maturity though, because the charm comes fromsome of his child-like fantasies.


As if to remind him of his newly found solo status, he snaps out of his remorseand has some fun with freewheeling Carmenista and funked up Lover, again asign of a gradual progression. Of all the tracks, this would be a single thatmight just crack him in the mainstream in the UK. One of the major highlights,as an audio experience anyway, is the Spanish sung Rosa, which may be anotherpointer at ex Rosie.

I Remember is a direct reference, turning out to be the most tender piecehe’s ever written – “I remember a faraway laugh, a sweet caresse… endlessdidn’t last.” Here we actually here the voice with out the hippy warble.

Seahorse, a stirring grungy rocker would please Neil Young and his fansno end, (Banhart’s new mentor is Young’s manager) so there may be some groominggoing on now.

Playing it right down the middle, the magestic Freely, is one monster ofa ballad.

It’s a gas. Amazing man.

Weblinks:devendrabanhart.com /xlrecordings.com/devendrabanhart


The full list of tracks included are :

1. Cristobal
2. So Long Old Bean
3. Samba Vexillographica
4. Sea Horse
5. Bad Girl
6. Sea Side
7. My Shabop Shalom Baby
8. Tonada Yanomaminaria
9. Rosa
10. Saved
11. Lover
12. Carmensita
13. The Other Woman
14. Freely
15. I Remember
16. My Dearest Friend

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