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Elly Roberts reviews

Pet Shop Boys: Performance

Distributed by
Parlophone (EMI)


Dead-pan synth-duo the Pet Shop Boys got together after meeting in an electronics shop in August 1981. Vocalist Neil Tennant from North Shields in Northumberland, and keyboardist Chris Lowe of Blackpool, Lancashire, discovered they shared a passion for synthesisers and dance music.

As a youth Tennant had been involved in theatre, and had sung and played guitar in a group called Dust. Lowe, an architect student, had studied piano and trombone. They took their name from a group of friends who worked in a pet shop. By November 1985, the quintessential English pair were instant pop stars with the release of their debut single West End Girls.

Ever since, the cult pair have consistently charted with anthemic top twenty entries.


Performance was conceived in 1985, but due to the enormity (and expense) of the project it took 5 years to realise. In the interim period, it allowed them to notch up even more hits.

This unashamedly self-indulgent show was highly applauded at the time for being original and innovative. It includes ten dancers, three backing singers - Sylvia Mason-Jones, Pam Sheyne, Derek Green - who give the real singing contribution, and two off-stage musicians JJ Belle and Davidson, with the greater emphasis placed on the theatrical visual content ; back-projections and heavily stylised choreography.

Input was provided by opera director and designer David Alden and David Fielding and choreographer Jacob Marley, as the concept used a narrative stretching from childhood through to death and afterlife.

Filmed at the NEC Birmingham in the summer of 1991, this hugely OTT and tongue-in-cheek show is a stunning theatrical event - however it’s not spectacular by any means. It’s all singing all dancing throughout, and very slick, as performers and singers have little time for costumes changes between songs. Rather than do the standard gig, they opted for an unorthodox biographic show that used their lyrics as the basis for the visual content. The theatre world snubbed the idea when approached, so they lured Alden, Fielding and Marley to bring their ideas to life in the most daring fashion, which is fresh and fruity.


The first half contains a lot of sexuality, later becoming quite surreal and bizarre. Their 'life journey' comes across as a visual travelog that displays their playfulness and satirical qualities. At times there seems to be no intellectual logic, because there are no literal interpretations of the lyrics - hence the artistic licence. Above all the music is fantastic and doesn’t seem dated at all.

As an exercise it worked like a dream, as the collective disciplines combine their expertise in a thoroughly planned production. It toured the world that year becoming a huge success.

Performance includes 18 songs, including, It’s A Sin, What Have I Done To Deserve This ?, Suburbia, So Hard, Opportunities, Rent, Where The Streets Have No Name, West End Girls, Jealousy, Always On My Mind.

Web link: Pet Shop Boys.co.uk

Review & concert pics copyright © Elly Roberts, 2004-2010.

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