Sigur Ros – Með suð í eyrum við spilum endalaust

Elly Roberts reviews

Sigur Ros – Með suð í eyrum við spilum endalaust
(With A Buzz In Our Ears We Play Endlessly)
Distributed by
One Little Indian RecordsCover

  • Released: June 2008
  • Rating: 8/10
  • Vote and comment on this album:

Straight in at number 6 on the album charts (w/c 30 June).

If there was ever a time I understood another language, Icelandic, then thisis it.

It was only November 2007 that geeky Icelandic troubadours Sigur Ros releasedthe double masterpieceHvarf/Heimto critical acclaim.

This time, they go, in a Sigur Ros way, for a mainstream attack, thoughtheir eccentricity still emerges with the translation of the album’s title.

For the first time, (as far as I’m aware), there are two song titles inEnglish which is a bit of an indicator. We mustn’t get the idea they’re ‘selling out’by any means. Its predecessor was a magnificent and time consuming opus. Nowthings are a tad simpler, and maybe after 14 years together, they want toreach a bigger audience, which will hopefully, not alienate their cult following.


Whereas in the past they’ve created awesome ambient and occasionally passionateambling beauties well over the 5 minute mark, they’ve broken the mould slightlywith this one. Of course we get the penchant falsettos and soaring melodies,without them it simply wouldn’t be Sigur Ros.

They have in the past self-indulged with their own language – Vonlenska which hasnt always helped matters. So they declared that the lyrics would be “moreunderstandable to the public than on previous albums. Mhh. Anyway, language barriersaside, Med Sud… is still a joyous listening experience much likeTakk (2005)Heima and Hvarf-Heim (2007).

Somewhere along the line they’ve learnt to bend their rules and reach out more.The clanging tribal intro percussion of Gobbledigook is a sign. It’s thenboosted by rushing acoustic guitar and Jonsi Birigsson’s whispful falsetto,making quite an impact.


Surely Coldplay must have had an influence on thrusting and jangly Inni Mer…andcould be mistaken for something off their earlier albums, though the pomp andceremony ending stamps it as distinctly Sigur Ros. There’s an angelic whip-upand keyboard tinkling a la Chris Martin, only better. Back in their comfort zone,the gentle and often celestial Gooan Daginn (shades of U2’s gentler moments)drifts by almost unnoticed, whereas uplifting Vio Spilum… reverts backto Coldplay territory and as close as they get to a pop song at just over threeminutes,

Med Sud is pretty close too, a rarity for them. Festival has anearly Sunday morning ‘church’ feel, with again Birigsson’s choirboy like falsettoat full throttle accompanied by an organ up to nearly five minutes until a throbbingbuild up explodes into a massive crescendo, tailing off at 9 minutes into asolo whistle. Ara Batur is an epic in the end, featuring a 67-piece orchestra and London Oratory School Schola, but the build up is classic Sigur Ros.

Comparatively, the next four, including closer All Alright, are low keyaffairs that bring everything to a smouldering ember.

File under: More diversity. Not a good as its predecessor.

Weblinkssigurros.com /myspace.com/sigurros


The full list of tracks included are :

1. Gobbledigook
2. Inni Mer Syngur Vitleysingur
3. Gooan Daginn
4. Vio Spilum Endalaust
5. Festival
6. Med Sud I Eyrum
7. Ara Batur
8. Illgresi
9. Fljotavik
10. Straumnes
11. All Alright

[Up to the top of this page]


Loading…