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Dom Robinson reviews

The Chronicles of Riddick

"You keep what you kill."

Distributed by

Universal Pictures Video

Cover


The Chronicles of Riddick, along with the other follow-ups and spin-offs from Pitch Black, namely, the animated Dark Fury and the exception Xbox outing, Escape From Butcher Bay, all came about because of the success of Pitch Black when it reached DVD, as the word of mouth had spread since its theatrical run, turning a cult hit into a viable franchise. Hence, according to the Internet Movie Database, David Twohy wrote three screenplay sequels, put them into separate leather binders and presented them to Universal with the key for the first one only.

This movie gets off with a perfect start with Riddick (Vin Diesel) in full flow as his five years of peace on Planet UV 6 is disturbed with a jolt as the bane of his life, Toombs (Nick Chinlund) tracks him down and attempts to capture him and take him to a nearby jail so he'll be quids in. Hence, a similar storyline to the aforementioned Xbox game where Toombs drops him off at Butcher Bay.

Of course, Riddick has other plans, takes control of Toombs' ship in spectacular style and heads off for Helion Prime to see his friend from the first movie, holy man Imam (Keith David), now living in the New Mecca district, because there's only he who knew where Riddick was going to be hiding out.

Before they can get well-acquainted, there's a huge disturbance of epic proportions, explosions aplenty and Riddick finds himself trapped in a war between the Necromongers, led by Lord Marshal (Colm Feore), and the Elementals, led by Aereon (Judi Dench, an unlikely choice for a sci-fi actioner, but she's the 70-year-old actress Vin Diesel himself fought hard for to get the part), and Riddick's the only man who can put a stop to things.


Vin and Thandie looked in the mirror and
were curious about what Linus Roach was staring at...


It's not a spoiler to state that Toombs will track Riddick down again and stick his oar in where it's not wanted, thus getting caught up in a situation he far from understands, but he's blinded by the prospect of mucho money in return for checking him in at the worst prison of all, Crematoria, where the surface burns and is too hot to touch.

With Vin Diesel back as the titular hero, and let's face it - the series couldn't be made without him, he packs a punch when required and is as sarky as hell - just like in the Butcher Bay game, doing for this franchise what Bruce Willis did for the Die Hard movies.

Colm Feore, a name I hadn't heard of before, puts in a suitably snarling performance as the main baddie, Lord Marshal, leader of the Necromongers, backed up by his right-hand man, Vaako (Karl Urban), who is married to Dame Vaako (the ever-gorgeous Thandie Newton, despite this time being constantly corsetted up in a figure-hugging dress and not getting to show off any flesh like she did copiously in the action-comedy Gridlock'd).


The daily commute to the film set would've been easier
had Vin Diesel been given a same limo like everyone else.


So, what is a Necromonger? They want to convert or kill every last human life. Converters will head off to the Underverse, which is bandied about like the day of reckoning, and the only thing that'll stop the evil plan would be if a Furyan warrior could be found, since they're the only race they fear. Now guess what race Riddick turns out to be? Ok, now you see why he's been drawn in here, having been encouraged by Aereon. Yes, it's a typical storyline of lone renegade getting caught up in a war between two sides, but it works here so I won't complain.

About Judi Dench, well she's a long-established actress but here she just talks to everyone in the similarly bossy tone she talks to Pierce Brosnan in his James Bond movies. All the rest of the cast get on with their job in their own way, but it's a point of note that Jack, played by Rhiana Griffith in the first one, has become Kyra (Alexa Davalos), pronounced 'Kee-ra'. Rhiana was one of the final names in the auditions but Vin told her she needed to "toughen up" and the short amount of time left to train didn't play fair to her, so the role went to Ms Davalos.

Despite the fact I've given it 7/10 overall, The Chronicles of Riddick is what sci-fi action/adventure should be about, not like the recent nonsense that was the recent Star Wars films. There's seamless CGI - pretty nifty too when it comes to Riddick's final fight with Lord Marshal, but I feel spoiled by having played the 'Butcher Bay' game as that felt like a perfect interactive version of a Riddick movie. That said, I can't wait for the forthcoming two sequels.

The film is presented in its original 2.35:1 theatrical ratio and is anamorphic. It looks colourful and striking throughout, although it does lose a star for whatever the mastering defect is that leaves it looking a little bit sticky at times. The sound comes in Dolby Digital 5.1 only (wot no DTS that Universal DVDs are often famous for?), but still rocks the house, particularly late at night with one explosion and fight after another.


The movie's wrap party was an emotional time for all.


The whole DVD is preceeded by two sets of menus: 'Convert' and 'Fight', a very nice touch, and the extras are as follows but they're rather disappointing overall because they're more style over substance:

Basic subtitles are in English only, there are 28 chapters and two menu system as explained previously. However, what I wish Universal would NOT do is make the disc always default to running the movie again after it's been left for a short while.


FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2004.

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