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Dom Robinson reviews

Black Hawk Down

Leave no man behind.

Distributed by

Columbia TriStar


Black Hawk Down is what happens during a dangerous mission in Somalia while trying to topple dictator Mohammad Farrah Aidid, beginning with seizing his lieutenants. In this film, based on a true story, one man is lost while touching down originally, as a chopper tries to evade a rocket-launcher, then there's the aforementioned Black Hawk down as another chopped takes a dive; and then a roadblock for ground crew making their way to the crash site including Delta Lt. Col. Danny McKnight (Tom Sizemore).

That's just the start of the mens' problems as the rescue mission goes from bad to worse and the townsfolk wreak their vengeance on the soldiers and their transport. However, it is a little bit slow to get going and cliched in parts, such as when one man doesn't take his back-protection armour you know he'll be the first to get taken from behind and that two of the soldiers apparently left behind will make it back okay, as will the usually desk-bound Specialist Danny Grimes (Ewan McGregor). There's also the obligatory 'bad good guy', aka Delta Lt. Col. Gary Harrell (24's Andre Drazen, Zeljko Ivanek), who doesn't really seem to care about the men with his carefree behaviour.

To continue the downside, there's a few too many big name stars who are underused, leading to there being no defining background to each of the principal characters as there was in, say, Memphis Belle, so you don't really care who lives and who dies. Sam Shepard doesn't have much to do but stay back at base and look all concerned at the monitors in front of him, Josh Hartnett is simply uncharismatic throughout and McGregor's American accent is laughable.

What starts with promise does become repetitive rather too soon and you start to get bored, especially with the long running time.


Columbia should be proud of a fine transfer. Like the Jet Li flick, The One, the picture is presented in an anamorphic 2.35:1 widescreen ratio with a colourful and crystal clear look to it, no motion artifacts at all and bold textures throughout. Occasionally, Ridley Scott uses similar filming technique to Saving Private Ryan.

The sound comes in Dolby Digital 5.1, is well used for all the action scenes and certainly something to shout about if you want to show your system off to your friends.

The extras begins with straight-forward Filmographies for the cast and crew on disc one, then the second contains The Essence of Combat: Making Black Hawk Down, six featurettes about story and characters, military orientation, on location footage, the film score, visual effects and final thoughts. This has a total running time of 151 minutes, so even longer than the film itself.

Then comes a further featurette about the making of the film starting with Designing Mogadishu (13 mins), scores of prints in the Production Design Archive, Storyboards with optional commentary, Ridleygrams which are further storyboards, again with optional commentary, Jerry Bruckheimer's BHD photo album (5 mins) which he talks over, various other Photo Galleries and Title Design Explorations, again with optional commentary. There must be everything you'd need to know about the film here for those who are interested, which isn't really me.

Eight Deleted Scenes, all with optional commentary from Scott, are included, such as a narrated opening, extra footage of Corrie's Matthew Marsden looking even more determined to get that cast off his arm and an alternative ending, even though the one they went with reminded me of that used in the Michael J Fox comedy The Hard Way.

Finally, there are three audio commentaries on disc one. One from director Scott and producer Jerry Bruckheimer, one from author Mark Bowden and screenwriter Ken Nolan, plus a third from the US Special Forces Veterans of '93.

There are 28 chapters to the film, the subtitles are in three languages (English - with extra subtitles for the deaf and hard of hearing, Dutch and Columbia's favourite, Hindi - I say that because no other company seems to bother, although Warner have an affinity for Arabic). Dutch is also used for the subtitled commentaries as with some of the other extras but not a whiff of those are in English (Why, Columbia, Why?? You always avoid English subtitles in your extras!!). Also, the main menu features sombre music and clips from the film.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2002.

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