Steve Adey: All Things Real

Elly Roberts reviews

Steve Adey: All Things Real
Distributed by
Grand Harmonium Records

    Cover

  • Released: September 2006
  • Rating: 6/10

In commercial terms, All Things Real has little appeal.However, it shouldn’t be overlooked.

Clearly Steve Adey doesn’t sing very well, nevertheless his vocals curiouslyjuxtapose with the atmospheric, dramatic compositions. Moving further intothe album, we hear a voice that becomes entrancing, and impassioned.Adey has definitely mastered one art – somehow he manages to plunder thedepths of his soul, and doesn’t hold back a note.

All Things Real is the debut release from the Brummie Edinburgh basedsinger-songwriter. Like so many of its ilk, time is needed to embrace themusic. In the business, it’s likely to be considered a ‘slow burner’ a laDamien Rice’s ‘O’. It’s not quite Americana, but close enough, witha British twist on the genre.


Scrapping his initial concept of a ‘big sound’ (which would have madeinteresting listening) he’s deployed a disarming sparseness – Adey draws asigh after Evening Of The Day as if to register his mindset. Theseheartfelt songs, some might say melancholic, have an intimacy all of theirown, which is a rare commodity, or even a risk, in a business intent on an’in your face’ approach.

There’s a minimalism that becomes the running thread of cohesion, withvarious add-ons to his piano work, such as cello, violin, harmonium, guitarsand drums, with all instruments used to great effect. After a sombre piano-ledopening – Death To All Things Real, stumbling Lost Boat Songbrings a magnificent duo with Helena MacGlip – it’s as if the pair arebouncing the emotions like a pin-pong match.Fragile Mary Margaret O’Hara lasts barely a minute, but is a perfect prefixfor the tender build-up of Find The Way.


Call it foolish or down right brave, he tackles Bob Dylan’s Shelter FromThe Storm with ample power and conviction, which I think Bob would approve.Another cover, Bonnie Prince Charlie’s I See The Darkness is full ofuncertainty, particularly Adey’s warbling voice on the second song in.Douglas MacDonald’s tender acoustic picking make Evening Of The Day aspecial highlight, complimented by thinly textured strings, turning it into alittle gem.

Tonight’s dreamlike soundscapes at one minute 31 seconds lead straightinto an Americana floater, the atmospheric Last Remark and the cavernousand ethereal Mississippi (shades of Enya) which barely breaks sweat,with Adey’s piano work down to the bare minimum.

The songs aren’t exactly memorable, or even radio friendly come to that,but the sort musos will drool over.

Weblink:steveadey.com


The full list of tracks included are :

1. Death To All Things Real
2. I See A Darkness
3. The Lost Boat Song
4. Mary Margaret O’Hara
5. Find The Way
6. Shelter From The Storm
7. Evening OF The Day
8. Tonight
9. The Last Remark
10. Mississippi

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