All Or Nothing

Paul Greenwood reviews

All Or Nothing
Cover

  • Cert:
  • Running time: 128 minutes
  • Year: 2002
  • Released: 18th October 2002
  • Widescreen Ratio: 1.85:1
  • Rating: 3/10

Director:

    Mike Leigh

(All or Nothing, Naked, Secrets & Lies, Topsy-Turvy)

Cast:

    Phil Bassett: Timothy Spall
    Penny Bassett: Lesley Manville
    Rachel Bassett: Alison Garland
    Rory Bassett: James Corden
    Maureen: Ruth Sheen
    Carol: Marion Bailey
    Ron: Paul Jesson
    Cecile: Kathryn Hunter
    Samantha: Sally Hawkins
    Donna: Helen Coker
    Jason: Daniel Mays
    Craig: Ben Crompton

Call it a premonition, Murphy’s Law or good old fashioned bad luck, butsometimes you should be careful what you wish for. In my Sweet Sixteenreview I noted that I wasn’t a huge fan of Mike Leigh‘s output and that Iwould take Ken Loach over him any day of the week. For my sins, Isubsequently found myself at the beardy one’s latest release, All OrNothing. Given the choice over again, I’d have to opt for nothing. For thisis an excruciatingly tedious domestic drama, as far removed from the energyand insight of Sweet Sixteen as it is possible to be.

The story, such as it is, follows several days in the working and sociallives of a group of neighbours in a London housing estate. Phil Bassett isa struggling taxi driver, lazy and shiftless, but with a good heart and asweet nature. His partner, Penny, works in the local supermarket and findsit tough to make ends meet for her family. Daughter Rachel is overweightand miserable and is a cleaner in an old folks’ home, while very overweightson Rory makes his father look like Worker of the Year, spending his timewatching television and screaming abuse at his timid parents.

As for the neighbours: Ron, workmate of Phil, is married to Carol,alcoholic friend of Penny. Their daughter Samantha is the neighbourhoodslapper, pursued by the clearly disturbed Craig. Witty and wise Maureen,supermarket colleague of Penny, is bringing up daughter Donna on her own.Donna has fallen pregnant to her waster boyfriend and is finding it hard tocope.


If this sounds like a complex study of a web of relationships along thelines ofLantana,be warned that it isn’t. Many of the characters areinserted randomly and disappear just as fast. There are so many unresolvedplot lines and relationships that you begin to wonder why some of thecharacters are even in the film. Many scenes serve no purpose other than topad the running time out to a cheek-shifting 128 minutes. While Spall’scharacter engaged some sympathy, I found myself not remotely interested inthe plights of the other participants, and the end really couldn’t comesoon enough.

One thing that can’t be faulted (for the most part) is the acting. Spallhas become one of the most respected and sought after actors in the countryand his work here is excellent. With his sagging shoulders and his Droopylike expression, he totally convinces as a man thoroughly fed up with hislot in life. Very good too is Manville as his partner, while Sheen isoutstanding. The rest are pretty decent too although Ron and Carol arelittle more than grotesque caricatures.

Many critics are raving about All Or Nothing. They might be right and I’mjust missing the point, but I found it a desperate chore to sit through.. Atthe screening I attended, one audience member left after about fifteenminutes and I desperately wanted to follow him. I’ve never walked out of afilm and I’m willing to bet I never shall, but this was a mighty closecall. As Spall’s character would say, “It’s whatsisname – shite”.

Review copyright © Paul Greenwood, 2002.E-mail Paul Greenwood

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