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Dom Robinson reviews

Antibodies

Evil is a virus.

Distributed by
Tartan Video


Cover Gabriel Engel (André Hennicke) is multiple killer, and some of his victims were children.

He seems to think nothing of his acts and even fills his days as an artist who paints in his apartment with their blood, leading to a blood-stained art collection that would make even Damien Hirst blush. Capturing him will not be a piece of cake, but once it's done that's far from the end of the story.

Back in a remote village, cop Michael Martens (Wotan Wilke Möhring - left in picture with Hennicke, who looks like a young Bob Peck, from around the time of Edge of Darkness, and they're both of similar age in their respective roles) is a man not much liked much by the locals.


He's tasked with going to the city to help interview the suspect with Seiler (Heinz Hoenig), a world-weary cop who's heard about the good work Martens did in the case of a murdered girl back in his hometown and thinks he can get the truth out of Engel. However, this means leaving his farm behind and the forthcoming harvest. The alternative - sharing the work with the community means sharing what they reap, and they can't afford to give any of it away.

However, helping convict the self-confessed child killer will help him regain his respect within the community, given the disdain his father-in-law has of him which has been the main cause of his tarnished reputation, but first he needs the man to talk about his crimes. And, in a Manhunter-style situation, their relationship - for want of a better word - he hopes will help bring a resolution to the murder of the girl.

Antibodies is a great tense drama and it's easy to see why it won a clutch of awards including a Best Actor for Wotan Wilke Möhring (see IMDB.com), but what any critically-acclaimed foreign film can do well, Hollywood always thinks it can do better and no doubt they'll try to remake this. If they do, the only one who'll do the evil role of Engel justice, if they're going for a lookalike, will be Robert Knepper who plays T-Bag in Prison Break.


There's an atmospheric use of the entire 2.35:1 frame (and note the back cover incorrectly states the ratio is 1.85:1 which could put off some potential purchasers) which means there's no point watching this film in anything less than its original ratio and here it looks fantastic. There's intriguing use of the camera so things appear in the frame when you didn't expect them at first and the opening credits brilliantly appear behind and in front of certain aspects of the titles. It's very clever.

The DTS 5.1 sound is good and suitably haunting in terms of the atmosphere it creates when required, but it doesn't give your system any kind of a workout.

The extras are brief, sadly. First up is a B-roll (3:56), which is just 4:3 footage of some key scenes being filmed; then a Trailer (1:49) in letterbox 2.35:1 and, finally, some well-chaptered Q&A Interviews with the director (17:51), who speaks in English, and shorter ones for the two lead actors who play Gabriel Engel (4:14) and Michael Martens (2:18).

The main menu features a small, repetitive piece of the haunting theme from the film, there are English subtitles available as an option so it's good that they're not burned into the print - although that's a rarity on DVD these days, and the 16 chapters featured here is not enough for a 2-hour movie as the first one, for example, lasts over 12 minutes and a later one lasts 13£minutes. Who does the chaptering on some DVDs thesedays? It can't be the same guy who did them for the interviews on the extras since they're on a per-question basis, so that person knows his onion. Surely, during a film, these should be no longer than 5 minutes apiece.


FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2007.

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