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Dom Robinson reviews

Downfall

Distributed by
Momentum Pictures


Bruno Ganz Downfall begins in 1942 when Adolf Hitler takes on the youngest of his secretaries, Traudl Junge.

We then fast-forward to 20th April 1945, Hitler's 56th birthday and a time when he (played in a powerhouse performance by Swiss actor Bruno Ganz, right) still thinks he has a chance of victory, despite all obstacles, particularly the one that spells out the cold, hard fact that the Russians are closing in on all sides and bombing the city to near-oblivion, and when those shells rained down in clear DTS 5.1 sound, the explosions made me think "Fuck me!" as they met the ground. It really was that outstanding and if you're not watching this with all the speakers necessary then you're really missing out.

Back to the plot and with 'Clausewitz' in effect and Hitler's men burning books aplenty rather than letting the Russians get their hands on any of the German's knowledge, his 9th Army are fighting the Russians, yet losing spectacularly. He tries to come up with other ways for his remaining armies to move about and take on the enemy but he refuses to believe that defeat is inevitable, even though all his men are outnumbered 10-to-1. He also has bitter disregard for all remaining civilians, claiming they should be on his side as he intends to destroy all transport links and fuel supplies so the Russians can't take them for themselves. As we see German soldiers shooting dead civilians in the street, we're left in no doubt of their loyalty to their Führer and this makes the cold, heartless reality all the more shocking.

What's also more of a surprise is that Downfall is a German-made film, and yet gives an honest and harsh account on a man whose maniacal leadership has brainwashed almost all those around him into thinking his way is the right way - even to the point that when his time has come, to realise that he cannot win, those following him must take a similar course of action. It even highlights a problem I didn't know about until now, a muscular/nerve problem controlling his left hand. This causes a number of people to look directly at it while he's trying to conceal it.


Alexandra Maria Lara Alexandra Maria Lara As well as telling his story, the movie also follows what's seen through the eyes of Professor Dr. Ernst-Günter Schenck (Christian Berkel), as he tries to make the best of what he can with his medical knowledge, 14-year-old Peter Kranz (Donevan Gunia) who's simply trying to make sense of it all and his youngest secretary, Traudl Junge (Alexandra Maria Lara, shown right both as her character and the actress in reality which proves what an absolute stunner she is).

All three won't be leaving Berlin any time soon, whether it's so they can stay and help patients, or because of the fact they're too young to go anywhere, or because of their belief to their Führer. In fact, the latter is shown in the stubborness of Goebells' wife and others in saying they don't want to leave Berlin even though not all will survive by doing so. Similarly, earlier on we also see children and young soldiers planning to remain standing in a street, resolute in the belief that they'll defeat the Russians when they come.

To go into more detail would rob potential viewers of discovering just how excellent this drama is, and it's even laced with one or two bits of humour. Suffice to say that it charts Hitler's final ten days in detail, including his marriage to Eva Braun on 29th April, 1945 and their eventual comeuppance the following day.

Yes, Bruno Ganz is terrific as the oppressive dictator and there are even moments where you start to feel sorry for the man, but to only focus on him is to do a disservice to the rest of the cast where every single member plays their part perfectly, making you feel like you're there watching what's going on and experiencing it with them and each leave a lasting impression as a character who made their mark and not a single one could be overlooked.

Both the picture and sound are fantastic here. The film is presented in its original cinematic ratio of 1.85:1 and is anamorphic, with a gritty feel to the outdoor scenes and the dull, grey interior of the bunker making you long for some fresh air and feeling reminiscent of many games of Return To Castle Wolfenstein. And as stated at the start, while there's a DD5.1 option, there's fantastic use of DTS 5.1 sound for explosions, gunfire and even atmosphere such as an air-raid siren.

It's an absolute must-see, but I'd give it 9/10 as it's not a film I'd watch repeatedly.

As for extras, yes, there are some as listed atop this review but they're all on the second disc which wasn't supplied by the PR company.

The subtitles are in English for the hard of hearing, there's a well-received 35 chapters and the main menu contains a small amount of motion and music on a loop.


FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



n/a
OVERALL n/a

Review copyright © Dominic Robinson, 2005.

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