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Extras:
United We Stand: Documentary, Another City: Short film by Ken Loach, Happy Ending short film, Music Video, Deleted Scenes,
Director's selected shots, 40-min Q&A at the BFI, Trailer, Audio Commentary, Audio Description
(11'09'01, Ae Fond Kiss, Bread and Roses, Carla's Song, The Flickering Flame, Hidden Agenda, It's a Free World, Kes, Ladybird Ladybird, Land and Freedom, Looking for Eric, My Name is Joe, The Navigators, Poor Cow, Raining Stones, Riff Raff, Sweet Sixteen, Tickets, The Wind That Shakes The Barley, TV: Play for Today, The Wednesday Play, Z Cars)
Producer:
Rebecca O'Brien
Screenplay:
Paul Laverty
Cast :
Eric Bishop: Steve Evets
Eric Cantona: Himself
Lily: Stephanie Bishop
Ryan: Gerard Kearns
Jess: Stefan Gumbs
Sam: Lucy-Jo Hudson
Daisy: Cole & Dylan Williams
Young Eric: Matthew McNulty
Young Lily: Laura Ainsworth
Eric's Father: Max Beesley
Ryan's Girlfriend: Kelly Bowland
Meatballs: John Henshaw
Spleen: Justin Moorhouse
Jack: Des Sharples
Monk: Greg Cook
Judge: Mick Ferry
Smug: Smug Roberts
Travis: Johnny Travis
Zac: Steve Marsh
Buzz: Cleveland Campbell
Fenner: Ryan Pope
It all began with a beautiful pass from Eric Cantona...
Those are the words that appear early on in Looking for Eric as Eric Bishop (Steve Evets) wakes up
in hospital after crashing his car following some spectacularly bad driving. That's bad driving as in - driving round and
round the same roundabout... the wrong way.
Yes, Eric is a man who is past his best in life. None of his kids or step-kids have any respect for him, generally because
he lets them down on a regular basis and you get the impression this has been happening all his life. By rights, the house
shouldn't be as busy as it is, but his wife left him two years ago and for some reason they're still there. He's a huge Manchester United
fan and idolises icon footballer Eric Cantona, even to the point where he'll talk to him as if he's there. Sometimes, he
even gets a response.
He also likes to live in the past and dream of happier times such as when he used to see the man play. In his first conversation with Cantona, he's
reminiscing about the love of his life, Lily (Stephanie Bishop), who he met at a '50s dance competition thirty
years ago, and who became his wife, but that relationship is long since over and he's about to have to meet her on a
regular basis, thanks to babysitting for Daisy, daughter to his own daughter, Sam (Lucy-Jo Hudson). Turns out that
it was the mere thought of having to see her, as well as some choice words of hers, passed on to him via Sam, which
threw him, mentally, and led to his car crash.
By day, almost - given the early starts, he works for the Royal Mail, alongside John Henshaw and the cream of
Manchester's comedy talent including Mick Ferry, Justin Moorhouse and Des Sharples. The cast also includes Gerard
Kearns (Shameless) as one of his sons, Ryan.
There are so many great moments in this film, including early on when Eric goes to wake up his step-son, Jess (Stefan Gumbs),
even though he's meant to be in school and it's now 2pm. As he stumbles across two other lads sleeping on the floor, he
exclaims that "it's not a doss house" and when one of them asks him, "Who the fuck are you?", he bashes
him with a pillow and says, "I'll tell you who the fuck I am. I'm fucking room service! Do you wish to register
a fucking complaint(?)"
Looking for Eric is essentially a tale of regret for our anti-hero, but also redemption as he tries to put right what has
previously gone wrong in his life. Guidance from Cantona is the only thing that can help. I do realise that that makes
it sound like such a predictable and pedestrian film but it's not meant to. It's actually a bloody good film which,
frequently, really speaks to anyone who's had times in their life which they wish they could change or try to put right
now - which is basically everyone.
At this point I'll mention that I'm not in any way a fan of football these days (I am a massive fan of snooker, though,
so I can understand the passion for a sport). I went to see a few Man Utd games when I was a kid and I enjoyed it at
the time, but it wasn't something I got into long-term, so I'm not aware of the games being discussed when Eric talks
about Cantona's greatest moments, but I can appreciate the personality the man had and how much of an impression he
made on culture in general, not least for his scissor-kick...
Overall, if you enjoy a film with a great, well-written, story, plus direction and acting from the leads to match, as
well as top-notch support, Looking For Eric is for you. It's also one of those few films which you can feel yourself
enjoying more and more as you watch it.
The film is presented in 1.85:1 anamorphic widescreen and looks as highly detailed as you'd expect a
high-definition picture to look, the grim outdoor scenes making you wonder if a particular tint has been applied or...
perhaps that's just Manchester in general. Anyway, it's crisp and clean, except for a slight haziness to the image that
can be seen against dark colours and very occasionally there's a slight shimmering on the image, and while it's not quite
as bad as Optimum's recent
Luc Besson Blu-ray releases, it's certainly verging on it.
For the record, I'm watching on a Panasonic 37" Plasma screen with a Samsung BDP1500 player.
The sound comes in Dolby TrueHD, DTS 5.1 and Dolby Digital 5.1 formats, plus a PCM stereo one if you haven't got any form of Dolby
Digital/DTS equipment. I haven't got a Dolby TrueHD setup, which allows for a 7.1 surround speaker setup, but then I haven't
got the room for that either, so DTS 5.1 will do nicely, sir. However, the audio within is mostly for dialogue and
ambience and this isn't a special FX film so there's no complaints and it isn't a demo disc, either.
The extras are as follows:
United We Stand: Documentary (28:36):
A documentary about fans who follow their favourite teams, and how you have to carry on following them even when they're
losing. Comments are included from Ken Loach, Sir Alex Ferguson, various fans and, of course, Eric Cantona.
Halfway through this, various cast members appear to give their views and there's also comments on how FC United came about.
This segment is presented in anamorphic 16:9 but some of the extras are letterbox 16:9, or sometimes windowboxed.
Why they're not all anamorphic is anyone's guess.
Another City: Short film by Ken Loach (25:47):
A week in the life of Bath's football club.
Happy Ending (3:20):
An interesting short film with Bradley Walsh that's actually nothing to do with the main movie on the disc, but is
part of the 2007 collection of short films, Chacun son cinéma.
Music Video (3:13):
A piece of incidental music from the film with all the band wearing Cantona masks.
Deleted scenes (11:34):
4 of them here, but no individual chapters. They fill in some gaps and I'd like to see them included back in the final film. There's also some outtakes included.
Director's selected shots (11:34):
A few key scenes from the film put together. Not sure of the point of this, though.
40-min Q&A at the BFI (48:09):
Hosted by Jason Solomon and featuring Ken Loach, Steve Evets and Eric Cantona. This is separated into 5 chapters.
Trailer (1:14):
Short and sweet and does exactly what it says on the tin.
Audio commentary:
Feature-length track from Ken Loach and Steve Evets.
Audio description:
An aid for the visually-impaired.
There's a pitiful number of chapters with 12. There should be plenty more - I always go by the rule of
thumb of one every five minutes plus one each for opening and closing credits; subtitles are in English only
and the menu features some animation of a footballer warming up to the theme music.
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Blu-ray: 
It all began with a beautiful pass from Eric Cantona...
There are so many great moments in this film, including early on when Eric goes to wake up his step-son, Jess (Stefan Gumbs),
even though he's meant to be in school and it's now 2pm. As he stumbles across two other lads sleeping on the floor, he
exclaims that "it's not a doss house" and when one of them asks him, "Who the fuck are you?", he bashes
him with a pillow and says, "I'll tell you who the fuck I am. I'm fucking room service! Do you wish to register
a fucking complaint(?)"
The film is presented in 1.85:1 anamorphic widescreen and looks as highly detailed as you'd expect a
high-definition picture to look, the grim outdoor scenes making you wonder if a particular tint has been applied or...
perhaps that's just Manchester in general. Anyway, it's crisp and clean, except for a slight haziness to the image that
can be seen against dark colours and very occasionally there's a slight shimmering on the image, and while it's not quite
as bad as Optimum's recent
