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Extras:
Deleted scenes, 'Making of', Music highlights, Music video, Storytellers,
Audio commentary.
Director:
Richard Curtis
Producers:
Tim Bevan, Eric Fellner and Duncan Kenworthy
Screenplay:
Richard Curtis
Music:
Craig Armstrong
Cast:
The Prime Minister: Hugh Grant
Jamie Bennett: Colin Firth
Daniel: Liam Neeson
Harry: Alan Rickman
Juliet: Keira Knightley
Billy Mack: Bill Nighy
Natalie: Martine McCutcheon
The US President: Billy Bob Thornton
Rufus, jewellery salesman: Rowan Atkinson
Nancy the caterer: Julia Davis
Colin Frissell: Kris Marshall
Karen: Emma Thompson
John: Martin Freeman
Sarah: Laura Linney
Mia: Heike Makatsch
Mark: Andrew Lincoln
Aurelia: Lucia Moniz
Radio Watford DJ: Brian Bovell
Mikey, DJ interviewer: Marcus Brigstocke
Jamie's girlfriend: Sienna Guillory
Joe: Gregor Fisher
Just Judy: Joanna Page
Alex, Deputy Prime Minister: Richard Hawley
Peter: Chiwetel Ejiofor
Karl: Rodrigo Santoro
Annie: Nina Sosanya
Sam: Thomas Sangster
Stacey, American Dreamgirl: Ivana Milicevic
Jeannie, American Angel: January Jones
Carol-Anne, American Goddess: Elisha Cuthbert
Natalie's dad: Bill Moody
Mrs Jean Anderson: Ruby Turner
Carol: Claudia Schiffer
Greta: Nancy Sorrell
Harriet, the sexy one: Shannon Elizabeth
Carla, the real friendly one: Denise Richards
Themselves: Ant & Dec, Jo Whiley, Michael Parkson, Wes Butters
Love Actually is perfect escapist entertainment.
Richard Curtis' directorial debut tells the tale of 9 stories of love, some of which
intertwine over the five weeks leading up until Christmas. What the film proves is what
we all know, which is when love doesn't work out, or simply being single, especially near
Christmas, can make you feel like shit. When things do work out, everything's completely
turned around, although if things don't work out repeatedly however much one tries
then one's conscience can only be consoled by several hours of
Grand Theft Auto,
a rocket-launcher and a cheat for infinite ammo.
When it comes to the cast in this ensemble piece with many well-known names and cameos,
although Hugh Grant doesn't make for a believeable Prime Minister, most of the actors
onscreen are just playing themselves or the same kind of character they always play,
often all trying to find love in one form or another so you can overlook any shortcomings
in characterisation as there are relationships that blossom which really do shine above
the rest such as that between Harry (Alan Rickman) and his horny secretary, Mia
(Heike Makatsch), despite the fact that he's married to Karen (Emma Thompson),
sister of the aforementioned Prime Minister.
There are relationships that are set to work out, while others don't, either due to fate or
because of knock-on effects of those that did.
It also seems like a longform video at times because a number of scenes punctuate the
characters' emotions by blasting out music to a backdrop of a nice central London skyline
and furnishings in posh studio apartments, where everyone's nice to each other and everything's
so nicey-nice you'd have thought the word "nice" hadn't actually been invented by The Good
Life as we all know they did.
As the film goes on, it doesn't do anything that's new but does have a certain style about
it that is pleasing and would be easily welcome for a Sunday afternoon. As a home-cinema
fan, though, I question some things in the movie such as since Liam Neeson has a fancy TFT
monitor for his PC and plays DVDs on his Philips DVD recorder, why does he then zoom a
2.35:1-ratio film like
Titanic
to fill his 16:9 widescreen TV? And later, when Billy Mack's (Bill Nighy in a
devilishly-good performance as an ageing popstar being forced into a comeback) cheesy
Christmas cover of "Love Is All Around" is played on a store department widescreen
TV, that they distort it in such a way that makes everyone look fat? (for the technically-minded
the source is a 2.35:1 letterbox image and this is stretched sideways across the screen, and
when I saw a similar thing in Currys once, I corrected it). Just seems odd when Curtis
otherwise makes an excellent job of filling the 2.35:1 anamorphic ratio, which will be
cropped to 16:9 when it's shown on TV, no doubt.
At the end of the 2hrs+, it is a well-spent time but you do realise that some of the
relationships had potential to be better put across and that Richard Curtis has rather
bitten off more than he could chew, but then if these love stories were taken further
they'd just string out everything we've seen before so there's probably little point.
Whichever way you look at it, Curtis isn't Paul Thomas Anderson and this isn't
Magnolia,
but it'd be interesting to see if he could take things in that direction.
Love is in the air for many.
The picture is presented in an anamorphic 2.35:1 widescreen ratio with gorgeous shots of
pretty landscapes, and not just of London as some characters go further afield.
The Dolby Digital 5.1 sound only gets a workout when music breaks out, but this is used
to great effect.
The brief extras are as follows:
Music Actually (10 mins):
The video for Billy Mack's christmas tune, in 2.35:1 letterbox (why not anamorphic?), which made No.26
in last year's Xmas chart, aping the late Robert Palmer's Addicted to Love video, and then
some "music highlights" which just links to a few sections in the film, introduced by Richard Curtis.
The Storytellers (10 mins):
Key cast and crew members waffle meaninglessly and kiss Richard Curtis' arse, interspersed with
film clips. Presented in 16:9 widescreen.
Deleted scenes (37 mins):
11 scenes, all introduced by Curtis, some of which seem to go on for ages, but then before it was trimmed
down to just over two hours, the total running time was 3½ hours so some things had to go. These
scenes are all worth a watch once but wouldn't necessarily fit back in the film as some of them would
slow the pacing down a bit.
Trailers (2½ mins):
None for this film itself, oddly, but there's a 90-second trailer for the dire-looking summer must-flop
live-action Thunderbirds and a one-minute effort for Oxfam. Why?
Audio commentary:
with chat from director Richard Curtis and actors Hugh Grant, Bill Nighy and Thomas Sangster.
Subtitles are in English only, there are 20 chapters which isn't enough for the rather
long movie that it is and the menu features soft incidental music from the film, playing it
once before the film starts again (which it shouldn't unless the user wants it to).
What I can't work out, given how there isn't much in the way of additional material, why the
RRP was set at a high £24.99. I have a feeling this was initially meant to be a double-disc
release, as for a time Blackstar's site specifically stated it was being put out in a "single disc edition",
but the RRP is still set the same even if both they and Amazon have reduced the price considerably at its release.
"Don't buy drugs... become a popstar and get them for free."
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Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
