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Dom Robinson reviews

Vertical Limit

Distributed by

Columbia TriStar


Complete and utter nonsense is what you get with Vertical Limit. But that will either appeal or it won't.

The film begins with the family Garrett - son Peter (Chris O'Donnell), daughter Annie (Robin Tunney) and father Royce (Stuart Wilson) - up on a routine mountain climb, but those two above them cock it up and come crashing down almost taking these three with them. However, three potential survivors are cut down to two as the father realises that one hook in the rock won't hold all three and begs his son to cut him loose so at least his children survive.

That's mistake number one, because I hate films where one character appears to selflessly give up their own life just because they think they won't make it if the alternative happened, or without giving full thought to working on a solution.

Fast forward three years later and billionaire businessman Elliot Vaughn (Bill Paxton) is on a PR campaign to climb K2 with a team that includes Skip Taylor (Robert Taylor), Tom McLaren (Nicholas Lea) and Monique Aubertine (Goldeneye's Izabella Scorupco). Of course, things are about to go disastrously wrong but Vaughn would rather save face than face up to the reality of danger.

Where the Garretts fit into all this is because brother and sister haven't spoken to each other much since the incident. Peter has become a mountaineering know-it-all and Annie works for a TV station who are filming the ascent. Naturally, Peter wants to save his sister from the fate she can't see at first. And there's mistake number two - a family matter in amongst an incredibly dull plot.

Now throw in a stupid old man in the "Cracker" role, i.e. with Scott Glenn playing the beardy weirdy Montgomery Wick, you know that everything he says about the situation they're in and which everyone else is ignoring, will turn out to be 100% correct.

There are some nice looking, but painfully obvious, special FX shots along the way, but you'll find yourself skipping through the flick to get to them, because the trite dialogue (mistake number three) won't keep you engaged.


Cover

Whoops, butterfingers!


The picture is very good with artifacts only occasionally visible on the 1.85:1 anamorphic widescreen picture. When the picture is sharp, it's pin-sharp. A good example is the opening scene, but it only serves to highlight that they're not really climbing a rock. The average bitrate is 5.10Mb/s, occasionally peaking over 8Mb/s.

Dolby Digital 5.1 is here in English and Hungarian and hits home when there's a problem on the mountain, but at other times it's incredibly quiet.

First up in the extras are two main featurettes: Surviving the Limit, a 24-minute bog-standard look at the making of the film with cast and crew chat and non-anamorphic film clips; and National Geographic Channel's Quest for K2, a 13-minute programme by said TV channel with a few people in the know commenting on the problems people have had climbing the mountain.

7 Mini Featurettes are included under the heading of Search and Rescue Tales, each of which last a few minutes in length and look at avalanches, trekking to K2 and "The Death Zone". Filmographies for main cast and crew members are here along with Trailers for this film (in 1.85:1 anamorphic), All the Pretty Horses (4:3 fullscreen - the film stars Matt Damon and Penelope Cruz) and The Mask of Zorro (2.35:1 non-anamorphic). Finally, comes an Audio Commentary track from director Campbell and producer Lloyd Philips.

The disc contains the usual 28 chapters, plus subtitles in 17 languages: English, Dutch, Polish, Bulgarian, Czech, Hungarian, Icelandic, Hindi, Hebrew, Turkish, Danish, Swedish, Finnish, Norwegian, Greek and Arabic. Dutch subtitles are also provided for the audio commentary, but why aren't they in English too? The menus have some animation and are scored, but it's nothing to get too excited about.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2001.

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