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Dom Robinson reviews
Windtalkers

Honor was their code.

Distributed by

MGM


It's Saipan, 1943 and it's time for another film about the Second World War, the difference about Windtalkers being that it centres on the Navajo Indians' ability to talk to each other in a special code, the only kind of code that the Japanese won't pick up on in a hurry, thus giving the Americans the upper hand in battle.

This is good news for Sgt. Joe Enders (Nicolas Cage) who lost all of his men in their last mission, the words of one dying man shouting "Goddamn, you Joe Enders!" still ringing in his ears, and that's not their only problem because the altercation at the scene caused serious damage to his hearing. His next outing is to team up with Ox Henderson (Christian Slater) and ensure two of the Navajo stay alive long enough to transmit enough code back to base so that success is the outcome.

Woo pulls out the usual traditions of big explosions, scenic views across inviting landscapes, bullet-ballets and the gun-to-gun moment, here as one of the Navajo war trainees, Pvt. Ben Yahzee (Adam Beach) finds himself against an enemy and is too scared to face up to reality.



However, while it's a perfectly watchable movie, it's far from essential as we've come across better WWII films with Saving Private Ryan and Platoon, both of which served up characters that were memorable.

The rest of the cast includes the underused Peter Stormare, Jason Isaacs, as well as Frances O'Connor as Rita, nurse and potential love interest for Cage. I've also always got time for Christian Slater in a film and it's high time he was leading more again.


Filmed and presented in 2.35:1 anamorphic widescreen, I have no complaints with the picture. Crisp and clear with subtle light during nighttime scenes and striking boldness in the bright daytime.

Action scenes make for great listening in Dolby Digital 5.1, while James Horner's score lilts along even in the quietest moments.



Nothing too outstand in the extras dept. They begin with a Windtalkers Bravo Special (11 mins) as non-anamorphic clips of the film are interspersed with chat from the principal cast and crew. The film clips are in their original 2.35:1 ratio and the rest of the on-set footage is non-anamorphic 16;9.

In order to train the cast up fully, it was felt they should go on an Actor's Boot Camp (15 mins). Shot in 4:3, John Woo wanted accuracy in all aspects of his film and, in August 2000, used this time to teach them military tactics used in 1944 during the Marine invasion of Saipan. It's not quite Full Metal Jacket.

There are four Fly on the Set Diaries (totalling 23½ mins), in which shows behind-the-scenes footage on how cerain sections were made, namely "The Marine March on Saipan", the use of the "Bazooka" in battle, when war goes wrong in "Friendly Fire" and the "Village Ambush" towards the end of the film. All these diaries are in 16:9 non-anamorphic, but surely there are anamorphic versions available?

You'll flick through the 35-strong Behind the scenes Photo Gallery once and the supplements conclude with Two Audio Commentaries, one from Nicolas Cage and Christian Slater, the ohter from Roger Willie and Navajo Code Talker Albert Smith.

There are the usual 32 chapters to the movie for a big MGM title, dialogue comes in Dolby Digital 5.1 for English and Russian, with subtitles in English and Czech. The main menu features some animation and a looped piece of music from the film, while the rest are static and silent.



FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2003.

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