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Dom Robinson reviews

Confessions of a Dangerous Mind

Some things are better left top secret.

Distributed by
Buena Vista Home Video

Cover


I hadn't heard of Sam Rockwell's name until recently. As it turned out, I did see him in The Green Mile as "Wild Bill" Wharton, but it was a dull film I've found easy to forget about.

Back to this one though and Confessions of a Dangerous Mind marks the directorial debut of George Clooney, albeit under the tutelage of friend Steven Soderbergh behind the scenes, and he also gets to bring along co-stars from the director's Ocean's Eleven remake, Julia Roberts and silent cameos from Brad Pitt and Matt Damon, but, stars aside, just what is this particular movie about?

Sam Rockwell plays TV producer Chuck Barris, the man who started as a page boy at NBC and went on to be a management trainee, was at first dismissed for coming up with some lame and/or lurid gameshow ideas, but TV mogul Larry Goldberg allowed him to be given a second chance, and it was from then that he excelled into popularity with hits such as The Dating Game (later to become 'Blind Date'), The Newlywed Game and The Gong Show.

As the film begins, it's 1981 and Barris is living as a 52-year-old recluse in New York, recounting his life in flashback, including his poor attempts to get a girl from the age of eleven up. He realises that he's either made a mess of his life, or let everything that he did achieve just fall apart.

However, there's one thing he did make a good fist of, and that's when his first gameshow experience didn't go the way he wanted, he was recruited by agent Jim Byrd (George Clooney) to work for the CIA and met other operatives including Patricia (Julia Roberts) and, later, Keeler (Rutger Hauer). When he appears as the German agent, he manages to pre-date US Army Lynndie England's antics by over 30 years by asking Barris to take a photo of him while he's happily strangling one of the captured locals to death(!)

Confessions of a Dangerous Mind is a constantly-entertaining movie with a standout performance from Rockwell - who you can see next year as the one-and-only Zaphod Beeblebrox in the movie version of The Hitch Hiker's Guide To The Galaxy, adequate performances from Clooney and the put-upon-love-of-his-life Drew Barrymore as Penny, but largely I just can't understand why anyone employs Julia Roberts when she has very little talent whatsoever.

From time to time, there's chat from those who seemingly knew the real Chuck Barris, and as the movie winds towards its conclusion, I was going to say this was similar to Adaptation, in that it's centred around a real person but is part-fact and part-fiction, yet I noticed as Confessions... ended that this also was written by Charlie Kaufman.


The picture is presented in an anamorphic 2.35:1 widescreen ratio and has a rather bleached-out appearance to the picture at times - all intentionally done, though. Full and stylish use made of the 2.35:1 frame - for example with the hit in Helsinki, so it's a shame that when it gets shown on TV they'll stupidly crop it to 16:9. You'll also lose out on the very clever set-change design, as if it's played out on a stage.

Why can't the TV stations do what they know the public wants and show films properly? Enough pop videos are made at a pseudo-cinemascope ratio so why not go the whole hog once in a while and broadcast them properly. Not even BBC4 could manage this for their own 'World Cinema' slot when controller Roly Keating was in the hotseat.

Soundwise, there's a Dolby Digital 5.1 sound which adequately brings across the dialogue, any music and gunfire when things switch to the CIA storyline in an instant.


The extras are as follows:

Also, when you put the disc in you'll see pre-film trailers for Chicago, Frida, Full Frontal and 25th Hour. Why do they put them there? Why not just stick them in the extras section where they belong?

Interestingly, there's no actual trailer for this film itself, but for the cinema trailer, I noticed on the BBFC's website:

An uncut 18? The film itself was only a 15-cert.

On top of that, there's English and German subtitles (the former with a hearing-impaired option), a mere 18 chapters and a menu containing a short piece of stills, clips and music from the movie.


FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2004.

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