Don’t Look Up begins with young astronomer Kate Dibiasky (Jennifer Lawrence – mother!) discovering a new comet, along with the fact that and it hasn’t been closer to the sun since before human civilisation began. …
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Don’t Look Up begins with young astronomer Kate Dibiasky (Jennifer Lawrence – mother!) discovering a new comet, along with the fact that and it hasn’t been closer to the sun since before human civilisation began. …
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Ant and Dec’s Limitless Win is the world’s first gameshow with no money limit. How high will the contestants’ greed go? As with other recent gameshows like Gordon Ramsay’s Bank Balance, we had to hear …
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Screw is a new prison drama on Channel 4, and as well as being a bit of an edgy title, my first thought was that when I requested it, is Microsoft Outlook going to think …
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BFI London Film Festival 2021 Part 2: Here we go. As promised, the follow-up to the first part of our extensive overview of LFF 2021 focuses on some outstanding directorial debuts, documentaries and a couple …
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Four Lives is based on a true story, and stars the omnipresent Sheridan Smith as Sarah Sak, mother to Anthony Walgate (Tim Preston), a young fashion designer who, in 2014, tells his best friend, China, …
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Anne centres around Anne Williams, played here by Maxine Peake, whose son, Kevin, died in the harrowing disaster at Hillsborough Stadium, Sheffield, on April 15th 1989, the death toll for which now stands at 97, …
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The Lost Daughter centres around Leda (Olivia Colman – The Father), who we’re shown collapsing on a beach in Greece before events go back to the start of her holiday, there, taking accommation at a …
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Eve Of The Daleks makes me ask: Is this the first new Doctor Who episode from Chris Chibnall which will actually make sense? In the end… no, he was just trying to tick as many …
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The Tourist begins with a traffic collision with a truck for an as-yet-unnamed man, played by Jamie Dornan, who then wakes up in a hospital bed, but has no idea who he is, or that …
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BFI London Film Festival 2021 Part 1: Back to life. Back to normality. Well, almost. After a 90 per cent online festival in 2020, in 2021 the BFI opted to make it almost totally in-person, …
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