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Dom Robinson reviews

The Bone Collector

Two cops on the trail of a serial killer.
They must see as one... They must act as one...
They must think as one... Before another victim falls.

Distributed by

Columbia TriStar


The Bone Collector is a Silence of the Lambs-style thriller with a different, but still standard, twist. Lincoln Rhyme (Denzel Washington) has been left paralysed after a near-fatal accident, but after some nutjob starts killing people, Rhyme recruits street cop Amelia Donaghy (Angelina Jolie) to be his eyes, ears, etc. while being out and about. The film is so-called because the killer takes a piece of the victim's bone each time. Ho hum.

Denzel Washington seems to play himself throughout the entire film, or at least the same character he's played for years with a bit of "Fitz" thrown in it seems when he pulls deductions out of thin air thus rather stretching the bounds of credibility, Angelina Jolie looks rather bored as the cop who just wants to start her new desk job without getting involved with forensics. The rest of the time she pouts at the camera like a startled bunny, while Queen Latifah certainly doesn't push the boat out as one of Rhyme's home-help's, Thelma.

Michael Rooker's character is the token arrogant superior, while Al Bundy, aka Ed O'Neill, tries to make himself seem a little more professional than his more usual character.

How many more 'thrillers', though, must we suffer where the killer leaves such obvious clues lying about the place? And there's laughable moments to be had when him and her are in contact over a microphone/headset link and the camera occasionally focuses on those sat around Denzel all staring into space with a supposedly thought-provoking look in their eye like a statue, but they look more like they're trying to work out what to have for dinner.

And why use a microphone/headset link anyway, when, after you see the amount of expensive equipment set up in Denzel's home, they could have used a headset with a camera? Duh!

And how is he able to zoom in on photographs of previous homicides, which magically focus on the close-ups?

And why do they try to create the only tension they have by making Denzel have seizures? In his condition, he'll turn into a vegetable one day anyway, so who cares when he dies? Even Denzel's character wants to "self-terminate" as they call it, so let him go!


The picture has a hazy look to it for most of the film, although that probably won't be too obvious when watching from the usual viewing position, but there are plenty of flecks throughout. The film is presented in its original 2.35:1 ratio and is anamorphic, while the average bitrate is 6.10Mb/s, occasionally peaking above 8Mb/s.

The sound is good when it's called for, such as a train early on, but too often the dialogue seems rather quiet. Most of the rest of the time though, it isn't used to its full advantage.


Extras :

Chapters :

Just 20 chapters this time round, so it could use a few more. Why not the usual 28 from Columbia? That's almost always a decent amount.

Languages/Subtitles :

Dolby Digital 5.1 in English and German. Subtitles in 17 languages : English, Polish, Czech, Hungarian, Icelandic, Hindi, Hebrew, Dutch, Croatian, German, Turkish, Danish, Swedish, Finnish, Greek, Norwegian and Arabic.

And there's more... :

Trailers for both this film and Devil In A Blue Dress, a 22-minute Featurette full of the usual public-relations-chat mixed in with film clips, Filmographies for director Noyce, plus Denzel and Angelina, an Isolated Music Score and a feature-length Director's Commentary.

Menu :

The main menu is animated attempting to reflect the supposed creepy nature of the film, while the rest are static.


Overall, if you're a fan of Cracker and still can't get enough of that type of crime-solving where everything the main character says is basically the solution to the crime, this will be worth a look, but if you want something that's not as obvious as it can be, steer well clear.

The Region 1 DVD contains the quote, "Intense suspense thriller". No, it's the most cliche-ridden and dull film I've seen all year, with an ending so obvious, even the dead could see it coming.

That said, it could spawn a cheapo American TV series where one cop does all the legwork and the token cripple merely has to, literally, lift a finger.

Oh - and to add insult to injury, the song used over the end credits, "Don't Give Up", sung by Peter Gabriel & Kate Bush, cruelly has a whole verse ripped out. Gabriel sings his first verse, which is followed by Kate's "reply" to his second verse.

Expect this movie on Channel 5 anytime soon... :)

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2000.

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