Adolescence opens with the explosive scene of an armed police unit bashing their way into the home of 13-year-old Jamie Miller (Owen Cooper), and oh, what a mess as they stop about the inside of …
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Adolescence opens with the explosive scene of an armed police unit bashing their way into the home of 13-year-old Jamie Miller (Owen Cooper), and oh, what a mess as they stop about the inside of …
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Missing You makes me wonder if it’s in Richard Armitage‘s contract that he must be in every single one of these Harlan Coben New Year adaptations for Netflix, the last one being Fool Me Once! …
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Top Boy Season 3 follows on directly from the ending of Season 2 – which was technically Series 4, making 5 in total, but anyway… And yes, I will discuss events from the previous series …
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Top Boy Season 2 (or Series 4 if we’re counting properly – but then as I said last time, the first two Channel 4 series have been renamed Top Boy: Summerhouse) is here, and comes …
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I Am Victoria sees the return of 2019’s “I Am” series with another trilogy of episodes, this time beginning with Suranne Jones as Victoria, who’s stressed as she’s working from home, with this also eating …
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Top Boy Season 1 is here. It’s finally happened! Well, it’s technically Series 3, but Netflix have rebooted the series and labelled the original two series as Top Boy: Summerhouse. Either way, it’s taken the …
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Bulletproof is like a British Bad Boys for TV, as Ashley Walters and Noel Clarke play Ashley Walters and Noel Clarke, aka two cops who wisecrack but still take the bad guys. Don’t expect anything …
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In The Dark poses a dilemma for DI Helen Weeks (MyAnna Buring – Prey), a cop who’s pregnant, so really shouldn’t be chasing ne’er-do-wells down rainy Manchester streets (and I really felt the punch delivered …
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Cuffs is, effectively, the BBC’s answer to the long-since-defunct The Bill. As it begins, PC Ryan Draper (Ashley Walters) is teamed up with rookie PC Jake Vickers (Jacob Ifan), and he has just 21 Seconds …
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The Ark – characters talkling in broad Mancunian accents – led by David Threlfall, children defying their parents and gallivanting the night away, and the whole thing filmed in a 2.35:1 cinemascope-style widescreen ratio to …
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