Ashes to Ashes Series One

Helen M Jerome reviews

Ashes to Ashes Series One
Distributed by
Contender Home Entertainment Cover Ashes To Ashes Series 1:
Life On Mars Series 1 & 2:

  • Cert:
  • Cat.no: KLT62056
  • Running time: 480 minutes
  • Year: 2008
  • Pressing: 2008
  • Region(s): 2, PAL
  • Sound: Dolby Digital 2.0
  • Languages: English
  • Subtitles: English Hard of Hearing
  • Widescreen: 1.78:1
  • 16:9-Enhanced: Yes
  • Macrovision: Yes
  • Disc Format: 4 * DVD 9
  • Price: £39.99
  • Extras: Audio Commentaries, Life After Mars Featurette, Deleted Scenes, Set Tour, Car Explosion Featurettes
  • Vote and comment on this DVD:

    Directors:

      Johnny Campbell, Bille Eltringham, Cathering Morshead

Series Producer:

    Beth Willis

Writers:

    Ashley Pharoah, Matthew Graham, Mick Ford, Mark Greig, Julie Rutterford

Executive Producers:

    Jane Featherstone, Matthew Graham

Cast:

    DCI Gene Hunt: Philip Glenister
    DI Alex Drake: Keeley Hawes
    DS Ray Carling: Dean Andrews
    DC Chris Skelton: Marshall Lancaster
    WPC Shaz Granger: Montserrat Lombard


OK. Start with the genius idea that was Life On Mars – time travel, old-fashioned police work, and jeopardy against the clock.

Take the premise out of the seventies and forward into the early eighties. And voila, you have Ashes To Ashes.

The main changes are bringing in a couple of key new characters: Keeley Hawes as DI Alex Drake, and Montserrat Lombard as Essex copper Shaz, to add a hefty dollop of unresolved sexual tension; moving the locations from Manchester to London, and the car from Ford Cortina to Audi Quattro; altering the fashions from loud and flared to brash and showy; and changing the music from Bowie and glam rock to New Romantic and Two Tone.

The ‘Gene Genie’, Philip Glenister’s fantastic creation DCI Gene Hunt remains the main copper. The constant smoking, drinking, sexism and homophobia are unchanged. Everything else is turned all the way up to eleven.

A few viewers might be initially alienated by the first episode, which has to explain the premise, link it to John Simms’ character’s fate in Life On Mars, and introduce the new plotlines, locations and characters. But once you make the leap into Episode Two and beyond, it’s fire up the Quattro full throttle, fight crime, and feature some impressive guest appearances from the likes of Rupert Graves and Matthew MacFadyen (aka Mr Keeley Hawes), not to mention cameos from Steve Strange and Shaw Taylor as their eighties selves.

This is one of the most enjoyable series of the new millennium, inducing wide grins of recognition in viewers of a certain age, plus instant Proustian memories through the fantastic soundtrack, while entertaining everyone else with its humour, suspense and politically-incorrect, tongue-in-cheek dialogue.


What about the extras? Well, they all contain spoilers, so you really shouldn’t watch any of them until you’ve watched the entire series. The commentaries on the first two episodes, featuring inside information from director Johnny Campbell, series producer Beth Willis and star Keeley Hawes are chirpy, giggly, occasionally interesting, but not massively insightful. Though we do get some neat titbits of trivia, like Alex spending most of her time getting her hair re-permed and coloured, the difficulties of wearing worn-out eighties clothing, and finding locations.

The belt and braces ‘making of’ documentary called Life After Mars features short interviews with producers, writers, directors and actors – with Keeley Hawes and Monserrat Lombard to the fore – plus the marvellous Philip Glenister, and his trusty Northern sidekicks Chris and Ray (Marshall Lancaster and Dean Andrews).

There’s also a set tour, with the production designer’s insight into creating colour palettes for characters, and her explanation of how they hit specific ‘memory buttons’ to help people recal the decade, using everything from choice of sofa to décor in Luigi’s restaurant to the police stockroom with lots of eBay-sourced period props!

Thrown in for good measure are some extra deleted scenes, so we get more of Alex’s creepy nemesis, Layton, plus Shaz in hospital, and Lord Scarman singing along with Village People hits. And there’s an extra devoted to the finale’s explosion, explained by special effects and stunts chaps, actors and the odd stunt double.


FILM
PICTURE
SOUND
EXTRAS


OVERALL
Review copyright © Helen M Jerome 2008.


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