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Dom Robinson reviews

Big Fat Liar

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As his Dad confirms, being a Big Fat Liar is Jason Shepherd's (Frankie Muniz) god-given talent.

He tells about as much truth as Eastenders' Dirty Den, once criticised for being so bent that he failed technical drawing at school because he couldn't get a ruler that was straight. Hence, when he does actually complete an important assignment - a story entitled "Big Fat Liar" - no-one believes that he was run over by a car owned by Hollywood bigwig Marty Wolf (Paul Giamatti, who seems to be the actor you get if Jon Lovitz is otherwise engaged), was given a lift to school by him, and that he left the story behind in the car.

While at the cinema with his best friend Kaylee (Amanda Bynes), they see a trailer for Wolf's latest film, made from the aforementioned script and so to prove to his parents that he's not just 'the boy who cried wolf', they set off to Los Angeles in order for good to triumph over evil. After a quick sightseeing tour and limo drive from chauffeur Frank (Donald Faison, aka Turk from Scrubs), the idea is to stop off at the Universal Studios Tour and track Wolf down to make him spill the beans about stealing their script, with a little bit of help from Frank because he was also once wronged by Wolf.

This is the kind of movie that'll work for young teenagers, but having turned 30 I already saw this type of film around fifteen years ago. The use of a colourful set throughout outdoor scenes and Wolf's office, for example, are also elements that hark back to the mid-80s. Still, if you weren't around at the time then all of this will seem new to you and if you have children aged 10-15 then it's worth a rental but it's not the kind of experience you'd want to repeat ad infinitum.

Then again, there are equally films-of-the-time I saw from back then, like Can't Buy Me Love, Ferris Bueller's Day Off and Back to the Future, which seemed like defining moments because they allowed you to see the freedom on screen that you could never attain in your own life right then, Perhaps this will also do the same for some.

While it's a film I can't slam just because it wasn't aimed at my age group, what I can take objection to is the incredibly shameful free plugs for the Universal Studios Tour, during one of which Jason enthuses about how 'awesome' it is.

That said, there's still some funny scenes as Kaylee somehow manages to convince the school bully to look after her grandmother, making him dress up as her and then seeing him help her work out Rocky-style. I also spotted Jason and Kaylee using the ill-fated Cybiko to talk to each other early on. Those units looked quite interesting, but the basic functions could be carried out on mobile phones and before Christmas last year they were down from £99.99 to £29.99.


More than just a bad hair day.


Presented in 1.85:1 anamorphic widescreen, the picture looks rather on the blurry side, but I'll let this slide a little as it seems partly intentional, as if shot on NTSC as part of a TV series, which is largely where director Shawn Levy's background lies. The print looks soft in facial close-ups while landscape shots are reasonably crisp and clear.

The disc contains both a Dolby Digital 5.1 and DTS 5.1 soundtrack, but while there's no problems with it, it's not exactly the kind of film that benefits from lots of special effects, so even a well-mastered Dolby Surround soundtrack would be passable.

The extras begin with:

Subtitles for the films come in English, there are 18 chapters for the film and the menus are static and silent.

FILM
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2003.

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