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Parts One and Three are not as tight and effective as they could be, with
rather too many extended monologues - principally from Elaine Ives Cameron as
the elderly harridan Mrs Lavish. Her overly measured delivery just doesn't
work, much as Peter Jurasik's similarly off-key performance blighted
Winter For The Adept.
To hear her wittering away, in barely audible fashion, amidst
a chaotic, bustling ballroom is a particular low-point. If there's supposed
to be an allegory with the impending death by drowning of the city's human
inhabitants, it's not a very effective one.
Thankfully the final quarter arrives at a genuinely epic conclusion, adding a
neat twist in the process which in hindsight should probably have been easy
to spot. Its clumsy "you're my best friend in the world, Charley" epilogue
notwithstanding, Stones Of Venice just about keeps its head above water by
being an essentially decent idea, even if the execution has been bungled
somewhat.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.Accept
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
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