Hunter Killer – I can’t say it’s ‘Die Hard on a submarine’, since (a) it’s not, and (b) that was claimed by the so-so Under Siege in 1992. You don’t watch Gerard Butler action films …
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Hunter Killer – I can’t say it’s ‘Die Hard on a submarine’, since (a) it’s not, and (b) that was claimed by the so-so Under Siege in 1992. You don’t watch Gerard Butler action films …
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Two For Joy begins with the last day of school for Vi (Emilia Jones, daughter of Aled Jones and she was brilliant opposite Guy Pearce in Brimstone), but life is far from easy for her. …
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Climax begins with an opening dance number, to a remix of Cerrone’s Supernature, which turns into an incredibly well-choreographed spin around the dance floor for everyone involved, so yeah, sod The Greatest Dancer on BBC1, …
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Alita: Battle Angel, originally was a manga known as Battle Angel Alita*. Quite why they’ve gone with this change, I don’t know and it’s never been explained, so I can only guess that it’s when …
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Polar is based on the Dark Horse graphic novel, to which I was not aware of prior to hearing about this film, but the premise is that when assassins retire at the imposed age of …
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Blindspotting centres around Collin (Daveed Diggs), who has completed a 2-month sentence in jail after what happened when he worked as the bouncer for a bar (which you’ll discover as you watch the film), and …
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Velvet Buzzsaw looked, from the trailer, like Netflix has knocked it out of the park again, as it teams up Nightcrawler (one of the best films of its year) with its effervescent star Jake Gyllenhaal, …
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Green Book looked from the trailer like a colour-swap version of Driving Miss Daisy, as working-class Italian-American bouncer Tony Vallelonga – aka Tony Lip (Viggo Mortensen) – becomes the driver for African-American classical pianist Don …
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Can You Ever Forgive Me? marked a rare departure for me – a return to actually WANTING to watch a Melissa McCarthy movie after the godawful 2016 Ghostbusters reboot, but that’s because this is (a) …
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Mile 22 is a film I particularly looked forward to last year, since it was the fourth time director Peter Berg had worked with Mark Wahlberg, and they had a fantastic track record with Lone …
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