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Dom Robinson reviews


Special Edition

Distributed by

MGM


Thunderball was the first film to be shot in 2.35:1 Panavision, marked a return for original Bond director Terence Young, features a theme tune sung by Tom Jones and went on to become the biggest Bond film of the Sixties.

As I watch this series of films progress, many of them ones I have never seen before including this one, it brings home two particular things: firstly the amount of plaigarism (sorry, "paying homage to") by the Austin Powers film spoofs and, secondly, how much of a bastard Bond really is. He's not a ladies man at all, as shown on the dance floor during the film, for example. When he's being shot at, he moves his dancing partner in the way of the bullet. I'm sorry, but that's really not the most romantic thing to do.

S.P.E.C.T.R.E. is up to its old tricks again and out to avenge the death of Colonel Jacques Bouvar, at the hands of 'Monsieur Bond' (Sean Connery). The plan this time is to demand a ransom from the North Atlantic Treaty powers of $280 million (£100 million, at the time) Agent Count Lippe (Guy Doleman) has been dispatched to the South of England to do the business.

The best way to make a threat is by stealing a Vulcan plane from NATO containing a couple of atomic bombs and say you'll destroy a major city within seven days if payment is not made. The plan to stop S.P.E.C.T.R.E. No.2 Emilio Largo (Adolfo Celi) is codenamed "Thunderball".

The cast also includes two Bond girls - one good, Domino Derval (Claudine Auger) and one bad - Fiona Volpe (Luciana Paluzzi), the latter being No.2's other half - and yet another actor playing the role of Felix Leiter (Rik Van Nutter).


An anamorphic 2.35:1 widescreen ratio, with a number of flecks on the print at times, although moreso during the opening scene, but it still looks damn good for a 35-year-old film. Surprisingly, the opening credits are slightly windowboxed. The average bitrate is a good 5.81Mb/s, often peaking over 7Mb/s.

The sound comes across in remastered Dolby Digital 5.1, bringing life to all the action sequences from the jetpack, through "the rack" spine-stretching scene to the underwater spectacle. Oh and not to mention the opening 'gunshot' in the traditional Bond walk-on.


Extras :

Chapters :

The usual 32 chapters for an MGM, which is an excellent amount. If only some other DVD companies could take a lesson from this one.

Languages & Subtitles :

English is the only language on the disc - in remastered Dolby Digital 5.1 - and there are subtitles for English (and hard of hearing).

And there's more... :

MGM seem to be pulling out all the stops for their Bond collection and starting with the first Bond film made we have a great amount for you to sink your teeth into. Some of the content, particularly the TV spots, aren't exactly first-rate in terms of picture quality and sound, but it adds to the nostalgic quality and all the interviews are clear and easy to hear.

Menu :

An underwater theme, naturally, with the Bond theme smashing through the speakers in surround sound, topped off with a Dolby Digital 5.1 roar from the MGM lion. The initial screen offers you the choice to start the film, select a scene, choose a language or watch the extras.


This is fourth Bond film to feature Connery and another one I haven't seen before. There's some good action set pieces, but also a handful of slow scenes and Adolfo Celi isn't the most deadly of Bond villains. However, when things do calm down a bit, more action isn't too far away and it's weird to see land-based physics applied to the underwater climax. The disc is also stacked with extras again, so this DVD comes well-recommended.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

The following is a list of all the Bond films now available in production order with their dates of release, followed by the unofficial movies:

Review copyright © Dominic Robinson, 2000.

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